SYTYCD 11, Top 6–Boogie Nights and Technicolor Dreams

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Last show before the final choice is made!

Christina Applegate is back for another week of judging

Top 6 group–Hip-Hop

Blacklights, makeup and props…choreo looks Dave Scott but concept looks Pharside and Phoenix.  But no, it’s Nick DeMoura…the Biebs’s choreographer, “co-host” for the Crew Challenge, and purveyor of a new instructional dance video.

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All-Star pairs, contestant pairs (which by chance or choice happen to be original pairings) and solos for the crew tonight….and we start by reuniting Valerie and Ricky

Valerie/Ricky
Broadway—Spencer Liff

Spencer is choreographing a Technicolor dream….

Valerie’s in this aqua frothy dress and the kids get to play with a swing.  Spencer’s combined a little Fosse with a little Gene Kelly/Cyd Charisse (or Leslie Caron, if you prefer)—Valerie actually reminds me of Singin’ in the Rain era Debbie Reynolds…and Ricky has the physique of Bob Fosse with the technique of James Mitchell or Jacques d’Amboise.  I was quite impressed with that jump through the swing.

No they DID NOT embarrass that poor girl with rehearsal footage of her slip getting caught on the swing!

Nigel loved the feel and thought that either of them would make a welcome addition to the On The Town cast should they win, and upon him bringing up and instant replaying Ricky’s jump I’m even more impressed that it was a jeté; Christina thinks they both have That Thing to take home the win; Mary that their chemistry was honest and thought it was breezy and sweet.

Jessica and Casey are teased up to their disco finest going into the break….wonder what they’re doing….

Jessica/Casey
Disco—Doriana Sanchez

Didn’t see that one coming…. -_-

A “sexy, fun and technical” disco…do you teach any other kind, Doriana?

Casey just might give Brandon Bryant some relief as a future disco All-Star—the kid was just the right amount of clean and kitschy.  Jessica did well though some moments of hesitation were visible, particularly in landing that end pose, but she definitely threw her whole self into the experience.

Christina “ages” herself by bringing up Denny Terrio and Charo to compare the kids—she kinda has a point, which dates me too, but whatever—but she thought it was fabulous, but noticed a shade of fear in Jessica’s expression on a few moves (in a most indelicate fashion….snot, Christina? Really?); Mary was thrilled dizzy by the kids’ performance; Nigel proclaimed it tremendous and agreed that the kids did very well.

(Coming up, cooling off Nigel’s hot head and making the kids cry with family videos tonight….starting with Ricky.)

Ricky—Solo

Dude, please…shut your face.  Just shut it.  You might not be my vote but you definitely have skills and passion.

Jacque/Zack
Foxtrot—Jean-Marc Genereux

“Zack Astaire and Jacque Rogers”—seriously, J-M?  Them’s big shoes to fill.

A little rocky in spots, and Jacque REALLY has to break out of that “smiley” face and present something more genuine, but it was a very nice number.

Mary called it, too—though she called it “snazzy and jazzy” she also said it was rough around the edges, showing signs of promise in areas but clunky footwork in closed hold and tension in other areas; Nigel agrees and actually used the words “herky-jerky”—Sir Lythgoe was not impressed; Christina thought the faces were a bit disingenuous and forced, and didn’t feel the chemistry as much from them…”dance from your souls, first….”

Jessica—Solo

This solo was basically a turnfest, but it was one of the most honest performances I’ve seen from her.  I’m guessing she actually saw that package with her family before she danced….

Musical interlude IN THE MIDDLE of the show…a-ha.  I have actually heard this song by Rixton before, but I wouldn’t be able to pick these children out of a lineup if they were wearing nametags.

Valerie (with All-Star Stephen “tWitch” Boss)
Hip-Hop—Will “Willdabeast” Adams

Newlywed couple’s first dance at the reception….a) does Allison know about this? and b) that is possibly the stuffiest wedding dress I have ever seen…this is not Green Gables, folks….

Thank GOD that skirt disappeared….Valerie still has some funk to her, and plenty enough to hang with tWitch.

Nigel enjoying the fun and entertainment brought to the piece—and rightly shouting out Nappytabs’s Emmy win this past weekend—and acknowledging the entertainer’s spirit in Valerie; Christina called Valerie amazing…and I’m not sure exactly where the Diet Coke came in with the crotch roll and side of rice in this hip-hop wedding joke, but I’ll let her have her “away from the kid” fun; Mary thought it was a wedding routine to remember and dubbed Valerie “swaggerocious.”

Casey—Solo

A little more quirk with the spins tonight, and lots of emotion.

Valerie—Solo

High octane like last week, but not quite as cohesive.  It was definitely fun, though.

Jacque (with All-Star Will Wingfield)
Jazz—Sean Cheesman

The innocence of young love….with a Pilates ball.  You choreographers and your crazy, abstract concepts…. “I wish I could say we had a ball, but….” Really, Jacque? *groan*

Awwww…..that was really sweet.  Jacque got to pull from her innate innocence and make this organic.  And without seeing that rehearsal footage, you’d think that ball sequence was a breeze for the two of them….awesome work.

Christina praised Sean first for the choreography and then Jacque for rising to the occasion and bringing forth character organically; Mary described Jacque with the words “class, grace, elegance and control,” and acknowledged the difficulty of working with the ball; Nigel called it brilliant and said it wiped that foxtrot from his memory.

Zack—Solo

First of all, he’s in black, dancing against a brightly colored backdrop, to a song called “Butterfly.”  Whycome them feet are moving like a hummingbird’s wings?  He is determined to leave a fabulous impression on the audience’s minds.

Jessica (with All-Star Ade Obayomi)
Jazz—Ray Leeper

The most fabulous couple in the Tokyo club…and I see they recycled Zack and Jacque’s getups from Top 20 Week 1…..

If those costumes weren’t so godawful ugly, I’d have enjoyed the dance MUCH more.  But I managed to tune them out aurally and visually to focus on the execution of the choreography—which was well in sync and quite sassy.   Jessica really held her own with Ade.  And while my knowledge of clubs is probably just as expansive as Jessica’s, I think the pair carried the vibe pretty well.

Christina makes a bad lost cat joke (no self-respecting cat would sacrifice itself for those UG-A-LEE boots) but loved Jessica’s performance and the ponytail strut; Mary thought it was fun and crazy and envisions Cat and Nigel doing that at the club (thanks Mary—it’s gonna take me the rest of the season to unsee THAT), and manages to praise Jessica for her razor-sharp focus; Nigel wasn’t thrilled—it was just OK and didn’t connect with him, and he also takes the moment to tell Jessica not to rely on turns and beef up her solos.  I’m not the biggest Jessica fan, but that there was unfair—I don’t recall him saying that to Casey last week….

Jacque—Solo

Well, if you’re gonna do an eye-catching, Final Four worthy solo, you might as well pull out a flowing skirt and WAC hat and do a pointe solo to “Boogie Woogie Bugle Boy”.  That was the nicest blend of classical and contemporary, reminding me of something the Joffrey might stage—much like the suite they did to Prince’s music.

Ricky (with All-Star Anya Garis)
Cha-Cha—Jean-Marc Genereux

Cha-Cha—Cuban in origin.  Ricky Ubeda—Cuban in origin.  He gets to go from cutesy to sexy in this piece, and if anybody can pull it out of him, it’s the original Hot Tamale.

Eh—lukewarm.  I can’t help but wish it was Rudy doing this one.  Still, Ricky’s technique looked really sharp….just needed way more sexy.

Nigel thought he looked like he’d been doing it for years, at least in stature and bravado; Christina bought it wholesale and said he actually drew her attention with Anya on the stage (is that SEN-sational or SIN-sational, Christina?); Mary thinks Ricky brought it, was solid on his feet and in his lead, and she totally bought it.

Casey (with All-Star Makenzie Dustman)
Contemporary—Stacey Tookey

Didn’t Makenzie already do the “little time to live” thing in her season?  We’ll see what Stacey’s take is on finding out you may have only one day left with the one you love…..though technical, Stacey hopes Casey focuses on the feeling and tells the story with his movement.

Y’all really didn’t need to put the boy in an asymmetrical mini-dress to get a nice fluid effect—his dancing was plenty.  I saw only glimpses of his expression but his movement, connection and flow were airtight.  That counterbalance move was wicked.

Christina took the Iyanla route and asked Casey how the dance made him feel—upon his not being able to describe it, she said that he’d done his job and it was wonderful; Mary really felt it and thought everything blended and smoldered and proclaimed it his best of the season; Nigel thought the piece made sense from beginning to end and dubbed it remarkable.

DAMMIT—NIGEL STOLE MY IDEA!  Or at least my prop, if someone has the unmitigated gall to challenge me….

Zack (with All-Star DuShant “Fik-Shun” Steagal)
Hip-Hop—Phillip “Pacman” Chbeeb

My boo Phillip’s choreographic debut, and he’s inspired by a Rorschach blot….well, the boy WAS studying engineering, so I’m not surprised where he can take his mind….

Fascinating bit of work….reminiscent of what he and IaMmE Crew did with their finale piece on America’s Best Dance Crew, and some of the armwork he did with Jeanine in “Mad”.  I love me some him….and them.  Though I did see some subtle differences in head movements in two different sections, I thought the boys shaped that well.

Even Cat’s impressed…..

Mary screams fabulous and loved every second of it; Nigel is impressed at tonight’s performance as well as every other dance and characterization Zack has been asked to perform over the season….then gives this backhanded wish for success and luck getting into the finale :-/ (he saved himself by amended that to being “shocked and thrilled” to see him in the finale….hmph….); Christina is proud of Zack’s ability to not only hang with Fik-Shun but to transcend any dance boxes he might have put himself into.

Now to the last elimination for the Big One:

Jessica (no surprise)
Ricky (also no surprise)
Valerie (HELL YEAH!)
Zach (F’IN RIGHT!)

Did I actually just channel Drake? Lord help me…..

Hard call if you look at tonight, but I tell you, Valerie and Zach have been proving their versatility since the ballroom round of callbacks.  I’m amazed with all of the bottom placements that Jacque got as far as she did, and there can only be one pretty boy, so poor Casey didn’t really stand that much of a chance.

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(Why does the final four lineup look like a scene out of Boogie Nights?  Some of the most unfortunate costumes to get good news in….)

Next week’s All-Stars: Kathryn (presumably for Ricky), Robert (apparently doing double duty with both Valerie and Jessica) and Aaron (with Zack, natch).  Plus, if the format holds, everybody dances duets with each other in addition to their solos….let’s make sure we don’t cut the Final Four group number this year…..

And as I really don’t remember seeing them, we should get a performance from Wanted Ashiqz before the grand finale….no mention of them but a performance from Jason Mraz?  Hmmm…..

Gonna be a packed show!

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SYTYCD 11, Top 16–Broken Outlaws

Another week closer to revealing the Top 10….

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Third time’s the charm—Misty Copeland’s back for a judging hat trick.

Top 16 Contemporary
Mandy Moore (I called her or Tyce, and I suppose it helped to see her parking spot post on Instagram the night before); probably the most basic costumes I’ve seen on this show, and while that’s not a bad thing, I probably would have figured out a way to let the ladies keep those scarves…you know, since they were dancing to “Take Me To The River” and they were a good visual for water….

No messing about—straight to the Bottom 6 announcement: Bridget, Marcquet, Brooklyn, Serge, Tanisha, Zack.  Well at least Emilio’s safe but he didn’t do that jive alone…same with that hip-hop Serge did with Carly. Tanisha was a matter of time, Marcquet probably fell victim to the pairing with Jourdan going so-so last week (and being paired with Jessica this week makes me nervous) and I don’t know WHY Zack is on this list.  If anything, Jacque was the weaker of that pairing, though they both did great.  I guess the crush on Rudy has stars in the public’s eyes as well.  Seeing as we have all four of the remaining ballroom dancers here I imagine short of a jaw-dropping performance, two of the four of them will be headed home tonight.  Of the girls I could stand to lose Tanisha, though she’s proven incredibly strong and versatile in the other styles.  I have to lean more towards keeping Marcquet but any of these three leaving is gonna break my heart.

Oh boy…first dance performance week.  Cue the hilarious recital videos!

Valerie/Ricky
(Valerie was 4 years old with a bow on her butt doing a Daddy and Me tap; Ricky did a super-emo, kitchen sink contemporary that overdid EVERYTHING.)

Bollywood—Nakul Dev Mahajan

Ricky is laughing at the concept of Valerie being sexy in this number, but I don’t know…she’s looking a lot like LoFro does normally, and the sexy SHE pulled out I did NOT see coming.  She should have the stamina for it.

Came across more like the Amy Yakima “kid sister” vibe, but she held the energy for most of it…her arms started flagging at the very end so while she was hitting the positions, there was a lot less energy.  She’s also gonna need to stretch some more to try to match Ricky, because his extension was way higher and he probably wasn’t even trying.

Mary thought it was full of life, joy, love and high-octane energy and stamina; Nigel agreed and thinks this performance should keep them safe next week; Misty loved it in her usual manner, bringing the tough love with it—she though Valerie could have been sharper throughout so there was more clarity in her movements.  She LOOOOOVED her some Ricky, though, hailing him as the total package.

Bridget/Emilio
(Bridget did the Vaseline on the teeth pageant smile and tripped thinking about it; Emilio was a late bloomer at the ripe old age of 19)

Contemporary—Travis Wall
Emilio has a troubled past (Bridget) that he’s trying to shake off and move forward.  Sounds a lot like Wild Horses from Season 9…or even Fik-Shun and Amy’s tour de force opener from last year…choreographers are a troubled lot.

Bridget looked like that little girl from The Ring for a second there…she was DEEP in that character.  She seriously was dancing for her life.  Emilio looked like he did well with the foreign choreography, and I believe I saw pointed toes!  The martial arts background came in handy with all the jumps and balance moves he had to do.

Nigel saw Emilio’s toes as well (better give my boo his props!) and was enthralled by the theme and the execution of the piece, lauding Bridget for throwing every ounce of herself into it and looking magnificent; Misty marveled at how well the choreography highlighted them and praised Bridget for shining in her genre without overshadowing her less skilled partner, and gave equally glowing remarks to Emilio for his growth and grasp of technique; Mary said, “when you see special, you know it…and that was special.”  Indeed.

Tanisha/Rudy
(A 9 year old tumbling pom-pom girl and a really bad salsa dancing boy…now I see why you and Nick are friends, Rudy….

Hip-Hop—Dave Scott
A black and white comic book (graphic novel?) come to life, where Tanisha has the kiss of death and Rudy is deciding whether she’s worth the risk.  Is that why you’re punching the girl out in rehearsal, dude? SMH  Poor Tanisha has this vixen in the headlights look on her face watching Dave go through the moves.

OK, that catsuit is EV-ER-Y-THANG…..where can I get one, please?  The vamp role helped to distract from any weakness in skill—let’s face it, the girl can pull off some sexy moves.  Rudy had some classic 40s/modern swag going as well.  The ending three counts went a little fast for me—I’ve seen fast-acting poisons move slower.  But they got the point across…good effort from the two of them.

Misty was amazed by the subtle sexy from Tanisha and the Usher vibe Rudy was channeling (don’t get him started—he’ll never come out of the clouds!), and loved that they worked smoothly in sync without overpowering each other; Mary loved the all-business, take charge energy Tanisha exudes and the increasingly high performance level from Rudy; Nigel praised Rudy’s ability to contain his energy but still establish a strong presence and agreed with Cat’s Uma Thurman comparison on Tanisha, admiring the combination of sinewy and sharp she displayed in her movements and calling it her best performance thus far. They are determined to embarrass these poor children, aren’t they?  Poor Rudy….

Jessica/Marcquet
(Cat called the girl Honey Boo Boo-esque; OK, the costume was a little bit Toddlers and Tiaras/Shirley Temple but was that necessary?  Meanwhile, Marcquet’s early competition days show that he had the same energy…if a bit lacking in proper technique and execution.  I thought you were good, baby….)

Foxtrot—Dmitry Chaplin
Marcquet is the successful business, power executive type and Jessica is the…ahem, “interested party.” (Golddigger seems so harsh.)  With a contemporary girl and a Latin trained guy, we’ll see what happens.

This song again?!?  I love me some Nina Simone but really though…. I guess I should be happy it’s not the Screamin’ Jay Hawkins version.

Ummm….well damn.  Jessica plays vamp well.  And who would have thought she could carry ballroom so well in such a short time?  I do have to take a pause to note how INSANE her back is….holy cow! *stares across the room at the dumbbells*  Marcquet was very smooth and looks like he connected better with Jessica than he did with Jourdan, although Jessica did overpower him a hair.

Mary called that boy’s technique every name but a child of God—even after finding out he’d never had any standard ballroom training she still nitpicked every move in hold that he made, giving kudos only for the freer side-by-side sections.  She was, however, blown away by Jessica’s performance and grasp of the outside genre in such a short period of time.  Nigel pulled out the old fogey card and said he preferred the flow of movement epitomized by Fred Astaire and Ginger Rogers and also expressed his discomfort with the routine (particularly Marcquet for some reason—my boy’s in trouble); Misty enjoyed the performance overall but still took the time to reissue notes on Jessica’s neck lines and Marcquet’s balance and grounding, respectively.

Carly/Serge
(2 year old Carly takes over her sister’s birthday party and Serge channels Tony Manero in his first ballroom competition.)

Contemporary—Mandy Moore
This routine centers around desire, specifically the girl wanting the guy and the guy being a jerk and playing with her emotions.  Serge is too much of a sweetie, but if he embodies this character that’s a clear sign that he’ll be safe.

(I really have to start TiVo-delayed as the show is airing, because I legit rewound this number about 12 times at 2 in the morning because I kept missing stuff.) Carly is slowly creeping her way into the Top 10 with these solid, impassioned performances.  Serge must have located his inner Chmerkovsky bad boy because he had some solid moments of douche in there…still too much of a cutie-pie to believe he’d be that much of a jerk, but he did well with both characterization and technique.

Nigel praised Carly for her efforts for both this week and last week, and acknowledged the pair’s growth in skill and partnership; Misty agreed, calling Carly a consistently full-bodied dancer and Serge a fluid, emotionally charged dancer and partner; Mary dubs Serge the most improved dancer this season and gives unanimous acclaim to Carly’s artistry and athleticism.

Emily/Teddy
(What I’m assuming is a Grease-inspired tap from Teddy—complete with pursed lips and raised eyebrow—and Emily’s wild child antics in toddler ballet got her put out.  Most of the students I had that were like Emily turned out to be the most dedicated as they matured…so have some patience with those little ones!)

Salsa—Jonathan Platero and Oksana Dmytrenko
I swear I don’t remember Jonathan being a salsa specialist on his season—but I AM really glad to see him getting work as a choreographer, because I did think he got pushed out WAY too early.  Anyway, this in-your-face routine has Emily gravitating towards the tricks and Teddy focusing on the steps.

There’s a lot of potentially career-ending moves in this thing, too….I’m almost afraid to watch. They survived and each stayed in their little salsa comfort zones: Emily went for broke with the tricks but was more reserved with the across the floor choreo, and Teddy looked and felt loose (despite a slight slouching issue in the neck) but seemed REALLY cautious doing those lifts.  This could hurt them for next week, because it wasn’t wow.

Misty commended Emily on holding the performance together despite her discomfort and instability with the execution of the routine and praised Teddy’s presence, ability and fierceness…though she did say she would have rather seen that from the pair as opposed to just him individually; Mary also took notice of Teddy’s strengths and commended the totally non-ballroom couple for fighting their way through that incredibly tough salsa; Nigel reveals that not just routine nerves were a factor—Emily dislocated her shoulder earlier that day—and noted that yes, the routine could have been stronger but considering the circumstances was pretty well executed.

Jacque/Zack
(Jacque as a baby Mame—looks like a Mommy and Me dance—and Zach’s early tap days.  Both look like they were watching the teacher for the next step…too adorable!)

Jazz—Sonya Tayeh
Past fling having a moment of nostalgia and longing.  Zach’s impressing Sonya beyond what she expected while Jacque’s dancing a little too prettily for her taste.  Still, she thinks the two working in tandem and taking responsibility for each other can produce awesomeness.

I don’t dislike Beyoncé—really I don’t—but I wish Andre 3000 had done that tune alone.  It sounded seamier when he was singing and it added to the slight forbidden air of the piece.  Jacque was still a bit pretty and Zach showed some fledgling signs of Jakob Kerr.

Cat just likened the piece to “The Garden” (it’s the fishnets, Cat—that’s all)…Mary marveled at the slinky transitions (and I have to watch again myself because I did NAUGHT see one single, solitary shoe) and applauded Zach’s tremendous growth; Nigel couldn’t emotionally connect to the number but did appreciate the couple’s dance efforts; Misty micromanages ballerina Jacque’s feet, calling for more refinement, but praises Zach’s growth.  (Nigel attempts to call her out on being harder on the girls, but not only does Misty deflect that but she verbalizing what I’ve been saying all along—that the guys this season are at another level.)

Brooklyn/Casey
(Hip-Hop Casey with frosted tips and Brooklyn tapping in a leather Dick Tracy style jacket and hat…and looking very serious.)

Hip-Hop—Will “Willdabeast” Adams
He’s making the kids live up to HIS name in his show debut, getting down and dirty and into Beast Mode.

Costumes were a HUGE no—Brooklyn looks OK in her lycra workout getup but those hideous shorts on Casey….y’all would have done better letting them wear the outfits from the opening number.  Both of them in the guys’ V-neck t-shirt and pants would have been infinitely less distracting.  They gave it a really good push but the last four 8 counts were the best danced part of the numbers…and even part of that was clunky.

Nigel echoed my sentiments about the shorts (stop trying to make excuses, ladies—those things were HORRIBLE) and thought they needed to latch on to the feel of the number and step out of their technical boxes—though he did give proper credit to Brooklyn’s efforts. (I’ve agreed with Nigel twice within 10 seconds…either he’s getting to be a bigger softie or I’m becoming a bigger hardass.  Neither prospect is comforting.) Misty thought this number was the most confident she’d seen Brooklyn and while she did love Casey’s work, this week belonged to Brooklyn.  Mary also noticed Brooklyn’s rise and split the middle, saying that the first half should have been lower and (her favorite term) in the pocket, but the second half picked up steam and grooved.

Mini groups tonight!

First up is Sonya Tayeh and the Village of Broken People—Brooklyn, Casey, Emily, Emilio, Tanisha, Serge, Valerie and Zach take on this dark contemporary that forces the dancers to unearth their vulnerabilities and lay them out for display.

Gorgeously ugly, in Cat’s words.  It was a fairly cohesive number, and the group did an excellent job of staying unified within the framework of all of that chaotic movement.  If I could call it anything it would be the photo negative of Season 2’s Hide and Seek.  Impressive, and it bears noting that of this group only 2 of the 8 claim contemporary as their signature style.

Misty recognized the cohesiveness of the theme and singled out Tanisha’s efforts.  I do have to admit that she really did hold strong with that featured section, doing a style so unconstructed and unfamiliar quite dazzlingly.  Mary thought that Sonya created a brilliant work and that the dancers were brilliant in it.  Nigel was so taken with the number and the performance that he wanted to be a part of it.  To enjoy something that generally would not appeal to you is pretty high praise.

Travis Wall takes on the second group–consisting of Bridget, Marcquet, Carly, Rudy, Jacque, Ricky, Jessica and Teddy–turning them into a group of outlaws trying to escape the city. (Maybe I should have gone to New York and watched The Warriors with Lin-Manuel Miranda…..)

I’m sorry—did Travis Wall just out-Sonya Tayeh Sonya Tayeh?  If these two pieces had been presented pre-package free I would totally have gotten the choreographers reversed.  I’m not used to seeing this kind of aggression in Travis’s work, and unless I blinked and missed it he’s never danced any of Sonya’s choreography—at least not on the show. Body parts were flying EVERYWHERE, just as promised.  Outside of Rudy, Teddy and one brunette girl I couldn’t pick out from under the ponytail and Alice Cooper eyeliner, I could have used a bit more mayhem…Marcquet disappeared in this and it’s not a good week for that to happen.

Nigel is tooting horns everywhere…as a quick personal aside, it has thrilled me to no end as a television professional to see Nikki Parsons’s name in the opening credits as director for several years, so I’m going to really have to study this piece again and leave my artistic eye at the door.  All around for direction, choreography and performance Nigel couldn’t use the word “outstanding” enough.  And yes, Nigel, if WE don’t win an Emmy this year, somebody got paid off. (I’ve been invested in this show since Day 1—it’s my damn Emmy too.)  Misty’s word was incredible, and once again while congratulating everyone she gives high praise to Ricky.  I love the dude but I think Teddy and Rudy carried most of the male weight in that one. (PAUSE. I swear ‘fore GAWD I’mma coming after kneecaps with a crowbar if y’all don’t 86 that damn “happy dance”! And….NOOOOOOOO! Not Misty too! I give up. UNPAUSE.) Mary’s excited because she’s yelling—not just yelling, but legit screaming.  Fabulous is Mary’s term of the night, and I’m going to chalk it up to her having much better seats than I do, because Marcquet certainly was NOT invisible to her.  Glad to see him finally getting some unqualified praise.

Seriously, how do y’all cut people after all of that?  I really hope y’all skip it this week and do a double elimination next week.  I know that’s more complicated for y’all but seriously, there are 16 asses lying on that stage that got danced off tonight.

Have NO clue who this Lucy Hale person is, but the people seem to like her…even though I know it had to be prerecorded.  I know some good grips, gaffers and scene movers, but there’s no way….

*sigh* If they insist on going through with this, then strictly based on the couples’ routines I fear that Marcquet and Brooklyn are dancing out of the competition the same way they came in—together.  Tanisha pulled herself out of the fire with the hip-hop and into the stratosphere with the group contemporary; Bridget’s duet with Emilio can’t possibly sent her home unless the entire panel is smoking crack; and Serge’s growth and passion is palpable and undeniable.  Zach leaving is a possibility but it’s a tough call.

Wait, what?  You’re already doing a quad elimination next week? Curses.  No, serious ear-blistering curses.  There go my hopes….and I’m really tired of being right.  The level of NOT HAPPY I am right now is UNBELIEVABLE.

Remaining weak links (based on the couples’ performances from tonight) include Valerie, Jacque, Zach, and Emily.  Bridget and Serge may still be in danger since America wasn’t feeling too “happy” about them in the votes, and as Jessica is now on her fifth partner in Casey, I’m not sure if it spells trouble for him because of past history or for her for yet another partner change…although that may be the very thing to secure her a place in the Top 10….