SYTYCD 11, Top 16–Broken Outlaws

Another week closer to revealing the Top 10….

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Third time’s the charm—Misty Copeland’s back for a judging hat trick.

Top 16 Contemporary
Mandy Moore (I called her or Tyce, and I suppose it helped to see her parking spot post on Instagram the night before); probably the most basic costumes I’ve seen on this show, and while that’s not a bad thing, I probably would have figured out a way to let the ladies keep those scarves…you know, since they were dancing to “Take Me To The River” and they were a good visual for water….

No messing about—straight to the Bottom 6 announcement: Bridget, Marcquet, Brooklyn, Serge, Tanisha, Zack.  Well at least Emilio’s safe but he didn’t do that jive alone…same with that hip-hop Serge did with Carly. Tanisha was a matter of time, Marcquet probably fell victim to the pairing with Jourdan going so-so last week (and being paired with Jessica this week makes me nervous) and I don’t know WHY Zack is on this list.  If anything, Jacque was the weaker of that pairing, though they both did great.  I guess the crush on Rudy has stars in the public’s eyes as well.  Seeing as we have all four of the remaining ballroom dancers here I imagine short of a jaw-dropping performance, two of the four of them will be headed home tonight.  Of the girls I could stand to lose Tanisha, though she’s proven incredibly strong and versatile in the other styles.  I have to lean more towards keeping Marcquet but any of these three leaving is gonna break my heart.

Oh boy…first dance performance week.  Cue the hilarious recital videos!

Valerie/Ricky
(Valerie was 4 years old with a bow on her butt doing a Daddy and Me tap; Ricky did a super-emo, kitchen sink contemporary that overdid EVERYTHING.)

Bollywood—Nakul Dev Mahajan

Ricky is laughing at the concept of Valerie being sexy in this number, but I don’t know…she’s looking a lot like LoFro does normally, and the sexy SHE pulled out I did NOT see coming.  She should have the stamina for it.

Came across more like the Amy Yakima “kid sister” vibe, but she held the energy for most of it…her arms started flagging at the very end so while she was hitting the positions, there was a lot less energy.  She’s also gonna need to stretch some more to try to match Ricky, because his extension was way higher and he probably wasn’t even trying.

Mary thought it was full of life, joy, love and high-octane energy and stamina; Nigel agreed and thinks this performance should keep them safe next week; Misty loved it in her usual manner, bringing the tough love with it—she though Valerie could have been sharper throughout so there was more clarity in her movements.  She LOOOOOVED her some Ricky, though, hailing him as the total package.

Bridget/Emilio
(Bridget did the Vaseline on the teeth pageant smile and tripped thinking about it; Emilio was a late bloomer at the ripe old age of 19)

Contemporary—Travis Wall
Emilio has a troubled past (Bridget) that he’s trying to shake off and move forward.  Sounds a lot like Wild Horses from Season 9…or even Fik-Shun and Amy’s tour de force opener from last year…choreographers are a troubled lot.

Bridget looked like that little girl from The Ring for a second there…she was DEEP in that character.  She seriously was dancing for her life.  Emilio looked like he did well with the foreign choreography, and I believe I saw pointed toes!  The martial arts background came in handy with all the jumps and balance moves he had to do.

Nigel saw Emilio’s toes as well (better give my boo his props!) and was enthralled by the theme and the execution of the piece, lauding Bridget for throwing every ounce of herself into it and looking magnificent; Misty marveled at how well the choreography highlighted them and praised Bridget for shining in her genre without overshadowing her less skilled partner, and gave equally glowing remarks to Emilio for his growth and grasp of technique; Mary said, “when you see special, you know it…and that was special.”  Indeed.

Tanisha/Rudy
(A 9 year old tumbling pom-pom girl and a really bad salsa dancing boy…now I see why you and Nick are friends, Rudy….

Hip-Hop—Dave Scott
A black and white comic book (graphic novel?) come to life, where Tanisha has the kiss of death and Rudy is deciding whether she’s worth the risk.  Is that why you’re punching the girl out in rehearsal, dude? SMH  Poor Tanisha has this vixen in the headlights look on her face watching Dave go through the moves.

OK, that catsuit is EV-ER-Y-THANG…..where can I get one, please?  The vamp role helped to distract from any weakness in skill—let’s face it, the girl can pull off some sexy moves.  Rudy had some classic 40s/modern swag going as well.  The ending three counts went a little fast for me—I’ve seen fast-acting poisons move slower.  But they got the point across…good effort from the two of them.

Misty was amazed by the subtle sexy from Tanisha and the Usher vibe Rudy was channeling (don’t get him started—he’ll never come out of the clouds!), and loved that they worked smoothly in sync without overpowering each other; Mary loved the all-business, take charge energy Tanisha exudes and the increasingly high performance level from Rudy; Nigel praised Rudy’s ability to contain his energy but still establish a strong presence and agreed with Cat’s Uma Thurman comparison on Tanisha, admiring the combination of sinewy and sharp she displayed in her movements and calling it her best performance thus far. They are determined to embarrass these poor children, aren’t they?  Poor Rudy….

Jessica/Marcquet
(Cat called the girl Honey Boo Boo-esque; OK, the costume was a little bit Toddlers and Tiaras/Shirley Temple but was that necessary?  Meanwhile, Marcquet’s early competition days show that he had the same energy…if a bit lacking in proper technique and execution.  I thought you were good, baby….)

Foxtrot—Dmitry Chaplin
Marcquet is the successful business, power executive type and Jessica is the…ahem, “interested party.” (Golddigger seems so harsh.)  With a contemporary girl and a Latin trained guy, we’ll see what happens.

This song again?!?  I love me some Nina Simone but really though…. I guess I should be happy it’s not the Screamin’ Jay Hawkins version.

Ummm….well damn.  Jessica plays vamp well.  And who would have thought she could carry ballroom so well in such a short time?  I do have to take a pause to note how INSANE her back is….holy cow! *stares across the room at the dumbbells*  Marcquet was very smooth and looks like he connected better with Jessica than he did with Jourdan, although Jessica did overpower him a hair.

Mary called that boy’s technique every name but a child of God—even after finding out he’d never had any standard ballroom training she still nitpicked every move in hold that he made, giving kudos only for the freer side-by-side sections.  She was, however, blown away by Jessica’s performance and grasp of the outside genre in such a short period of time.  Nigel pulled out the old fogey card and said he preferred the flow of movement epitomized by Fred Astaire and Ginger Rogers and also expressed his discomfort with the routine (particularly Marcquet for some reason—my boy’s in trouble); Misty enjoyed the performance overall but still took the time to reissue notes on Jessica’s neck lines and Marcquet’s balance and grounding, respectively.

Carly/Serge
(2 year old Carly takes over her sister’s birthday party and Serge channels Tony Manero in his first ballroom competition.)

Contemporary—Mandy Moore
This routine centers around desire, specifically the girl wanting the guy and the guy being a jerk and playing with her emotions.  Serge is too much of a sweetie, but if he embodies this character that’s a clear sign that he’ll be safe.

(I really have to start TiVo-delayed as the show is airing, because I legit rewound this number about 12 times at 2 in the morning because I kept missing stuff.) Carly is slowly creeping her way into the Top 10 with these solid, impassioned performances.  Serge must have located his inner Chmerkovsky bad boy because he had some solid moments of douche in there…still too much of a cutie-pie to believe he’d be that much of a jerk, but he did well with both characterization and technique.

Nigel praised Carly for her efforts for both this week and last week, and acknowledged the pair’s growth in skill and partnership; Misty agreed, calling Carly a consistently full-bodied dancer and Serge a fluid, emotionally charged dancer and partner; Mary dubs Serge the most improved dancer this season and gives unanimous acclaim to Carly’s artistry and athleticism.

Emily/Teddy
(What I’m assuming is a Grease-inspired tap from Teddy—complete with pursed lips and raised eyebrow—and Emily’s wild child antics in toddler ballet got her put out.  Most of the students I had that were like Emily turned out to be the most dedicated as they matured…so have some patience with those little ones!)

Salsa—Jonathan Platero and Oksana Dmytrenko
I swear I don’t remember Jonathan being a salsa specialist on his season—but I AM really glad to see him getting work as a choreographer, because I did think he got pushed out WAY too early.  Anyway, this in-your-face routine has Emily gravitating towards the tricks and Teddy focusing on the steps.

There’s a lot of potentially career-ending moves in this thing, too….I’m almost afraid to watch. They survived and each stayed in their little salsa comfort zones: Emily went for broke with the tricks but was more reserved with the across the floor choreo, and Teddy looked and felt loose (despite a slight slouching issue in the neck) but seemed REALLY cautious doing those lifts.  This could hurt them for next week, because it wasn’t wow.

Misty commended Emily on holding the performance together despite her discomfort and instability with the execution of the routine and praised Teddy’s presence, ability and fierceness…though she did say she would have rather seen that from the pair as opposed to just him individually; Mary also took notice of Teddy’s strengths and commended the totally non-ballroom couple for fighting their way through that incredibly tough salsa; Nigel reveals that not just routine nerves were a factor—Emily dislocated her shoulder earlier that day—and noted that yes, the routine could have been stronger but considering the circumstances was pretty well executed.

Jacque/Zack
(Jacque as a baby Mame—looks like a Mommy and Me dance—and Zach’s early tap days.  Both look like they were watching the teacher for the next step…too adorable!)

Jazz—Sonya Tayeh
Past fling having a moment of nostalgia and longing.  Zach’s impressing Sonya beyond what she expected while Jacque’s dancing a little too prettily for her taste.  Still, she thinks the two working in tandem and taking responsibility for each other can produce awesomeness.

I don’t dislike Beyoncé—really I don’t—but I wish Andre 3000 had done that tune alone.  It sounded seamier when he was singing and it added to the slight forbidden air of the piece.  Jacque was still a bit pretty and Zach showed some fledgling signs of Jakob Kerr.

Cat just likened the piece to “The Garden” (it’s the fishnets, Cat—that’s all)…Mary marveled at the slinky transitions (and I have to watch again myself because I did NAUGHT see one single, solitary shoe) and applauded Zach’s tremendous growth; Nigel couldn’t emotionally connect to the number but did appreciate the couple’s dance efforts; Misty micromanages ballerina Jacque’s feet, calling for more refinement, but praises Zach’s growth.  (Nigel attempts to call her out on being harder on the girls, but not only does Misty deflect that but she verbalizing what I’ve been saying all along—that the guys this season are at another level.)

Brooklyn/Casey
(Hip-Hop Casey with frosted tips and Brooklyn tapping in a leather Dick Tracy style jacket and hat…and looking very serious.)

Hip-Hop—Will “Willdabeast” Adams
He’s making the kids live up to HIS name in his show debut, getting down and dirty and into Beast Mode.

Costumes were a HUGE no—Brooklyn looks OK in her lycra workout getup but those hideous shorts on Casey….y’all would have done better letting them wear the outfits from the opening number.  Both of them in the guys’ V-neck t-shirt and pants would have been infinitely less distracting.  They gave it a really good push but the last four 8 counts were the best danced part of the numbers…and even part of that was clunky.

Nigel echoed my sentiments about the shorts (stop trying to make excuses, ladies—those things were HORRIBLE) and thought they needed to latch on to the feel of the number and step out of their technical boxes—though he did give proper credit to Brooklyn’s efforts. (I’ve agreed with Nigel twice within 10 seconds…either he’s getting to be a bigger softie or I’m becoming a bigger hardass.  Neither prospect is comforting.) Misty thought this number was the most confident she’d seen Brooklyn and while she did love Casey’s work, this week belonged to Brooklyn.  Mary also noticed Brooklyn’s rise and split the middle, saying that the first half should have been lower and (her favorite term) in the pocket, but the second half picked up steam and grooved.

Mini groups tonight!

First up is Sonya Tayeh and the Village of Broken People—Brooklyn, Casey, Emily, Emilio, Tanisha, Serge, Valerie and Zach take on this dark contemporary that forces the dancers to unearth their vulnerabilities and lay them out for display.

Gorgeously ugly, in Cat’s words.  It was a fairly cohesive number, and the group did an excellent job of staying unified within the framework of all of that chaotic movement.  If I could call it anything it would be the photo negative of Season 2’s Hide and Seek.  Impressive, and it bears noting that of this group only 2 of the 8 claim contemporary as their signature style.

Misty recognized the cohesiveness of the theme and singled out Tanisha’s efforts.  I do have to admit that she really did hold strong with that featured section, doing a style so unconstructed and unfamiliar quite dazzlingly.  Mary thought that Sonya created a brilliant work and that the dancers were brilliant in it.  Nigel was so taken with the number and the performance that he wanted to be a part of it.  To enjoy something that generally would not appeal to you is pretty high praise.

Travis Wall takes on the second group–consisting of Bridget, Marcquet, Carly, Rudy, Jacque, Ricky, Jessica and Teddy–turning them into a group of outlaws trying to escape the city. (Maybe I should have gone to New York and watched The Warriors with Lin-Manuel Miranda…..)

I’m sorry—did Travis Wall just out-Sonya Tayeh Sonya Tayeh?  If these two pieces had been presented pre-package free I would totally have gotten the choreographers reversed.  I’m not used to seeing this kind of aggression in Travis’s work, and unless I blinked and missed it he’s never danced any of Sonya’s choreography—at least not on the show. Body parts were flying EVERYWHERE, just as promised.  Outside of Rudy, Teddy and one brunette girl I couldn’t pick out from under the ponytail and Alice Cooper eyeliner, I could have used a bit more mayhem…Marcquet disappeared in this and it’s not a good week for that to happen.

Nigel is tooting horns everywhere…as a quick personal aside, it has thrilled me to no end as a television professional to see Nikki Parsons’s name in the opening credits as director for several years, so I’m going to really have to study this piece again and leave my artistic eye at the door.  All around for direction, choreography and performance Nigel couldn’t use the word “outstanding” enough.  And yes, Nigel, if WE don’t win an Emmy this year, somebody got paid off. (I’ve been invested in this show since Day 1—it’s my damn Emmy too.)  Misty’s word was incredible, and once again while congratulating everyone she gives high praise to Ricky.  I love the dude but I think Teddy and Rudy carried most of the male weight in that one. (PAUSE. I swear ‘fore GAWD I’mma coming after kneecaps with a crowbar if y’all don’t 86 that damn “happy dance”! And….NOOOOOOOO! Not Misty too! I give up. UNPAUSE.) Mary’s excited because she’s yelling—not just yelling, but legit screaming.  Fabulous is Mary’s term of the night, and I’m going to chalk it up to her having much better seats than I do, because Marcquet certainly was NOT invisible to her.  Glad to see him finally getting some unqualified praise.

Seriously, how do y’all cut people after all of that?  I really hope y’all skip it this week and do a double elimination next week.  I know that’s more complicated for y’all but seriously, there are 16 asses lying on that stage that got danced off tonight.

Have NO clue who this Lucy Hale person is, but the people seem to like her…even though I know it had to be prerecorded.  I know some good grips, gaffers and scene movers, but there’s no way….

*sigh* If they insist on going through with this, then strictly based on the couples’ routines I fear that Marcquet and Brooklyn are dancing out of the competition the same way they came in—together.  Tanisha pulled herself out of the fire with the hip-hop and into the stratosphere with the group contemporary; Bridget’s duet with Emilio can’t possibly sent her home unless the entire panel is smoking crack; and Serge’s growth and passion is palpable and undeniable.  Zach leaving is a possibility but it’s a tough call.

Wait, what?  You’re already doing a quad elimination next week? Curses.  No, serious ear-blistering curses.  There go my hopes….and I’m really tired of being right.  The level of NOT HAPPY I am right now is UNBELIEVABLE.

Remaining weak links (based on the couples’ performances from tonight) include Valerie, Jacque, Zach, and Emily.  Bridget and Serge may still be in danger since America wasn’t feeling too “happy” about them in the votes, and as Jessica is now on her fifth partner in Casey, I’m not sure if it spells trouble for him because of past history or for her for yet another partner change…although that may be the very thing to secure her a place in the Top 10….

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SYTYCD 11, Top 20–Dropped Calls

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It’s the second week of competition and the first set of eliminations for the show this season.

This week’s guest judge is Misty Copeland, ballerina with the American Ballet Theatre.

Top 18 group–Broadway

Well, since part of this is grand prize in the role in the new Broadway production of On The Town, it’s only a fair to allow choreographer Josh Bergesse to create a routine to “New York, New York” from said musical, especially since he IS the choreographer. I just knew it was tight. And we’ve moved back to a single winner….hmmm…..

Why is Cat cracking up? Oh yeah, it’s All Star game time again for Major League Baseball, and all of the judges–Misty included–get in on the shenanigans and are dressed in full baseball uniforms. Sigh….Happy Birthday, though, Nigel….

(Nigel, you are wrong as hell for putting Cat on the spot about that baseball pitch…. At least it crossed the batting area.)

I see we have learned nothing from last year’s results debacle….the bottom six are announced at the top of the show. At least they haven’t been cut yet. Those six are: Brooklyn, Casey, Jourdan, Nick, Malene, and Serge. I know Serge had better NOT go home first!

New partnerships (and they each get :10 apiece to get to know each other with silly speed-dating type questions before picking a dance style):

Tanisha/Rudy

Jazz–Sonya Tayeh

Cat and mouse power play.

It’s like Season 4’s “The Garden” and Season 6’s “Tore My Heart” got together and gave birth to this number. I think Tanisha was better in this jazz than in last week’s cha-cha. Rudy was in his element here; very strong and powerful in his movements.

Mary thought it was strong as well and loved the performance, but still gave Rudy notes about his shoulders; Misty thought they were forceful yet fluid and displayed the many faces of sexy in this piece, and also gave Rudy notes about being more grounded in his partnering (I love her analogies–“be the tree trunk for her to be the leaves on”); Nigel also agreed and notes how well Sonya complements the dancers abilities with her choreography.

First of the crews performs on the Hollywood stage to get through the finale….and we also go to the breaks with dance combinations from the choreographers?!? Do you know how many competitions these combos or going to show up in?

Valerie/Ricky

Contemporary–Travis Wall

The one that got away–and she’s doing the chasing. Interesting to see what kind of contemporary technique lies within the tap girl.

She did pretty well–about as well as Alexis did paired up with Nico last season. Her facial emotive were a little one-note though…she needs to dig a little deeper. Ricky, naturally, was Ricky Potter Goodfellow (reference from last week).

Misty loved the partnership and was impressed with Valerie’s abilities, though she did mention focusing and extending her energy throughout her entire body (a more encompassing version of what I just said), and just ate Ricky up with a spoon; Nigel thought they meshed well in their partnership, also noting Valerie’s under-par emoting but praising her grasp of the techniques, while praising Ricky and putting all his pedigree on display (a Young Artists scholarship and tutelage from Desmond Richardson? No wonder the boy’s magic!); Mary marveled at the magnificence of the artistry and athleticism woven together by Travis and performed brilliantly by the pair.

Bridget/Emilio

Hip-Hop–Luther Brown

Rehearsal show a modicum of swag from Miss Bridget–let’s see how she matches with Emilio. Guy reconnected with an old girl friend a former nerd turned hottie. You know, y’all could have just CALLED me….

Season 6′ s Ashley plus Season 9 Witney equals Bridget’s hip-hop swagger. And I was NOT expecting those backflips…at least not from HER. Solid job.

Nigel loved their chemistry and thought Bridget did better than expected, though he did suggest she get down into the style more and feel stronger with it…and insulted Emilio wardrobe (dancing Hobbit? Hobbits wish they were that sexy); Mary thought she went in and out but largely praise Bridget’s efforts, and that Emilio “ate the whole thing for dinner and spit out fabulousness.” Oooookay….as long as he got props, I’ll deal. Misty rounded out the agreement on both dancers, telling Bridget that she could mix femininity and power and battle Emilio toe to toe as the number called for.

Jessica/Nick

West Coast Swing–Benji Schwimmer

My boo Benji went and thinned out again….I kinda liked him buff. I get to drool over him again, though…. No theme, just fun and dance.

JESSICA IS A DAMN SOLDIER! I would have been rolling on the floor like a bitch if I dislocated my shoulder–hell, I damn near did in my own living room watching it!

They both did well with that complicated choreography–I think Nick lost a little of his mojo mid-way in, which was probably a combination of nerves stemming from Bottom 6 placement and avoiding Jessica’s shoulder’s DISplacement. It’s more of a judges’ decision tonight, but in general the viewing audience connects better when there’s a theme, so I fear for his place in the competition.

Mary commended the two for keeping pace and noted the style shift for Nick (as West Coast Swing is not within the typical ballroom vocabulary) and cautioned Jessica about being more grounded in her footwork, Misty thought it was entertaining and gave critiques on Jessica’s elongation in her neck and on stronger footwork for both; Nigel felt that even with the intense difficulty of Benji’s routine paired with two dancers brand new to the style, Nick could have danced much more strongly and Jessica lost some of the honesty in her expression (said she over exaggerated and pulled face a bit too much).

Carly/Serge

Contemporary– Sonya Tayeh

Unbreakable love.

(Okay, y’all have the misfortune of performing a contemporary with that same song AND theme that won Meryl and Maks their mirrorball on DWTS, and THAT number was phenomenal. Still, I’ll be as objective as I can and try to forget that happened first.) Serge was incredibly strong from beginning to end; Carly lost a little steam on her intention right at the unison steps on the chorus. Good but not wow.

Misty, however, WAS wowed… Serge definitely moved her and she was impressed with the pair; Nigel again praised Sonya’s ability to bring out the best in her dancers and felt the first emotional connection with this pair, and expressed his shock at how well service performed outside of his own style. For those of us *raises hand* who cussed you out last year for cutting him at Green Mile, we are not surprised AT ALL.) Mary is all teary and impressed with Serge as well, and loved the couple’s performance.

I repeat, Serge BET’ NOT be going home this week!

Emily/Teddy

Hip-Hop–Dave Scott

Flirtatious energy in this number–and how am I now supposed to take this seriously after Teddy basically faceplants into Emily’s butt? *deep breath*

It almost looks very Nappytabs–didn’t know Dave Scott had that in him. They worked and did a better give and take than Bridget and Emilio, but Emily still looks like she was trying too hard. Teddy, however, channeled those mack skills and turned on the charm.

Nigel cautioned Emily about getting the connection and performing WITH her partner before directing that energy outward to perform FOR the audience (pretty fair assessment of what I was thinking) but he did enjoy the number. Mary enjoyed it but was put off a touch by the ticking at the end holding these kids accountable to prior standards, and Misty thought Emily could have gotten more comfortable and grounded in the routine but loved the connection.

Malene/Stanley

Broadway–Spencer Liff

Was not expecting Broadway with that costume–I suppose that hair was a giveaway, though. Spencer has based this routine on the variety shows of the 1960s with telephone props.

I could see some Gene Kelly/Cyd Charisse face out of these two–very interesting with the corded phones. Countless opportunities for catastrophe with those and it went off smoothly. Stanley is just mesmerizing to watch and Malene held pretty strongly in a new style.

Mary was enthralled…up through the first :20. Then it went downhill for her, mostly due to the tethering nature of the phone with respect to the choreography. Misty thought they were great individually but lacked connection as a pair, and need to work more on that aspect of their performance; Nigel thought the two missed the mark stylewise and agreed with Misty on their lack of connection.

Jourdan/Marcquet

Jazz–Sean Cheesman

YASSS!!!! I was wondering if I’d see you this season! A sexy interrogation (why the black man always gotta be the suspect?) between interrogator an agent; has to be sexy and sharp but like buttah….hmmmm…..

Sooooo much to look at….tables and swinging lightbulbs have been done to great effect before, and this was incredibly fast and all over the place. Jourdan’s flexibility is ridiculous and Marcquet’s partnering and presents were strong as usual. They got the sexy and most of the sharp, but the butter did not melt for me.

Misty loves the number and particularly Jourdan’s ability to own the style rather than simply adapt to it–she did caution Marcquet about overdoing the character and being conscious of everything to do with expressing that character, Nigel enjoyed the number as well but cautioned JOURDAN about her expression in relation to character, and lauded Marcquet’s efforts; Mary thought Sean did well with giving the pair moves that suited their abilities and was pleased with how well Jourdan did outside of her comfort zone.

Brooklyn/Casey

Argentine Tango–Miriam Larici and Leonardo Barrionuevo

Brooklyn’s Latin Ballroom but not necessarily Argentine Tango fluent; Casey’s completely out of his style. And Miriam and Leonardo do some really tough choreography….with us now knowing both of them are in danger of going home, this one concerns me. A lot.

Not steamy but not a train wreck–Brooklyn did dominate a good deal and the technique on both looked pretty decent. Was watching Casey’s butt most of the time (as Mary is usually commenting on whether or not the male dancers are properly tucked under as the move) and it seemed to me that he was holding the proper posture quite well for a contemporary dancer doing a tango. I was not prepared for the slicked-down hair though–it really help in making him look like the weaker sex in this pair.

Cat noted (as I did) the subtle ending to the piece…typically Argentine tangos end in more dramatic fashion. Not the usual, but it was cool. Nigel praised the pair on their intensity and control and wished them well in hopefully going further in the competition; Mary marveled at Brooklyn’s maturity and was even more awed at Casey’s transformation; Misty loves their connection and intensity, and ever the constructive critic, urged Brooklyn to be more assertive in planting her weight over each foot rather than wavering toward center.

Jacque/Zach

African Jazz–Sean Cheesman

I adore Sean’s African jazz pieces but they always seem to go to the dancers least likely to adapt well to the style. Still, Brittany Cherry surprised me last season, so I’ll definitely keep an open mind. Warriors coming to life out of ancient art…am I wrong to be picturing (and dare I say, expecting) a tribal Turn To Stone moment here?

I am really trying to appreciate their athleticism here–which is pretty impressive–but the costume is going a little too much Thing One and Thing Two for me to take them seriously. Mythical creatures, maybe…warriors? Eh. Though Zach did perform much more fiercely than I gave him credit for, and Jacque also adapted well.

Mary was impressed. Standing ovation, hot tamale train impressed. Misty was also taken with the pair, those she thought Jacque slightly over did the characterization in her mouth expressions (this lady’s tough! I love it, but damn!); Nigel rounded out the lovefest and called the number his favorite of the night, and also marveled at how well the two were able to mix technique with the power and flow of African movement.

Dance Crew time! Chloe Arnold’s Syncopated Ladies tonight, & I gotta say….they love them some Beyoncé, don’t they? Ironically, they lost syncopation a number of times during this routine, and it pains me because between the difficulty level of the choreography amplified by all that sexy, I love the concept. Girl power favorites but I need to see the other crews first–the Ladies had better hope the other crews slack up.

*deep sigh* Results time….

Based on tonight’s performance, I’m guessing Nick and Malene go home first….*unpauses TiVo*

Girls first-and Malene is indeed the first to go. As for the guys, I was also unfortunately correct about Nick as well. Poor Rudy is inconsolable. Not happy to see anyone go home, but at least I didn’t have to brain Nigel for sending Serge packing.

Next week’s predictions:

Assessing the reception of the numbers performed and the tide of the first vote, possible girls in danger are Valerie, Jessica or Emily, and Bridget, while Stanley, and despite well-received performances, Serge and Casey may be the bottom three guys. I’m also not sure if Marcquet is totally safe. Jessica and Stanley has the disadvantage of starting a new partnership and building chemistry as well, so they’re going to have to pull contemporary or an outside style that will sit well on them to convince the judge is to keep them if the public doesn’t say the same.

This season is really going to be a challenge….