Fatal Four-way: SYTYCD Season 12 Performance Finale

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This is it! The final new dances of the season from four ferociously fierce performers! The kids have five dances apiece tonight, so it’s definitely going to be nonstop action tonight.

(I know there was one year that time was short and they didn’t air a Top 4 group dance, but this has to be the first year I’ve seen them just not do one at all….hmmm…..)

Hailee and JaJa – Hip-Hop
Choreographers Misha Gabriel and Nick Bass (Song: Put It In The Bag, Kalenna featuring B. Simm)

A Hail-Ja reunion, with the girls as two outlaws running from the crime scene…and apparently Hailee has kicked her hip-hop game into another gear and JaJa is playing catch-up.

“My Homies Still” for 2015. JaJa was a little too in the pocket for me, but then again Hailee was trying too hard. They were both good, but I wasn’t wowed. Didn’t make me say Hail-Ja tonight.

Nigel didn’t think they were authentic robbers, but did say that they’d stolen his heart….. *groan* He did think it was a great fun routine and looked like they had fun working together. Paula thought the girls were equally matched and also noticed the complementary swagger and fun they brought to the dance. Jason was impressed and thought it was a strong performance, with Hailee playing the different personality levels and JaJa holding tight to her hard street facade–and both coming across beautifully.

Virgil and Gaby – Lyrical Hip-Hop
Choreographer Phillip Chbeeb (Song: Slip, Elliott Moss)

Before I even talk about the dance and the dancers, can I just say how much it thrills me to type the words “Choreographer Phillip Chbeeb?” I ♡ him SO much….

Gaby is embodying all of Virgil’s most beautiful memories that he has to let go of in order to move forward. Phillip is insane….don’t get me wrong, I adore his insanity, but the complexity of movement in this piece is definitely challenging.

Like most Phillip Chbeeb fans, I recognized this piece from the first move, and I purposely did not seek out his YouTube rendition until after watching the show. There’s a magic Phillip has that no one else can really capture. But I think Virgil and Gaby did a fine job of translating his vision and conveying the emotions of the piece. As expected, some of the transitions were a little bumpy, but you could get past a lot of that just by watching the pair’s connection with each other.

Phillip is pretty overcome though, so it’s safe to say that the choreographer thought they nailed it…..

Paula loved the complexity and texture Phillip brought to the piece, and thought Virgil and Gaby danced it brilliantly. Yummy, fun and interesting are her choice adjectives of the day. Jason appreciated the originality of the choreography and thought the two beautifully danced a great combination of the stage and street styles. Nigel was also duly impressed with the dancers and the choreographer and congratulated all on a job well done.

JaJa and Gaby – Jazz
Choreographers RJ Durell and Nick Flores (Song: Woman (Oh Mama), Joy Williams)

An expression of the duality within us all, JaJa and Gaby have flamenco-like skirts, twists, tangles and lifts to contend with in this number. (Nobody said Top 4 was gonna be easy….you gotta EARN this.) But Team Strage (really, Travis?) is coming with that power….

Loving these costumes right off the bat…they could easily bring that Top 20 Dia de Los Muertos piece on tour and segue into this one. But let me at least watch it to see if that should even be a possibility….yep. It would be an interesting musical segue, but that strong, forceful piece of music combined with these two ladies channeling their inner Frida Kahlo works very much for me. Gabi REALLY called on the ancients in her Latina blood to give the grand presence she gave in this performance, allotting the slightest of edges over JaJa. And I mean VERY slight, as JaJa was giving it her all and a couple of other people’s all in this dance as well.

Jason thought it was a strong number and said he enjoyed it “like two mojitos on a hot Labor Day.” Nigel thought the ladies matched the passion of the song and the choreography, and thought JaJa needed to relax her shoulders and be less tense in her power. But he also projected either of them to win, so…. Paula pretty much summed her critiques in this quote: “It takes an athlete to dance, but it takes an artist to be a dancer.” Great testament to how well these two strong women blend their skills and styles and create magic.

JaJa and Virgil – Contemporary
Choreographer Stacey Tookey (Song: I Love You (Acoustic), Woodkid)

A relationship that’s lost its spark, with Virgil being the one to remind JaJa of where their love began. (A little close to home right now, Stacey…..) And again, Stacey is not playing anything down…these two Team Street dancers are going to have to dig in and find some technical ease and still get the emotional punch across.

Are you serious right now? I mean, are you SERIOUS? A quick glance at the screen without the backstory would raise the question, “When did Amy Yakima go redhead?” We just watched Virgil–last week with Melanie and just a few moments ago with Gaby–so there’s not as much shock there…though I WILL say that manly presence shot up a hundredfold. But JaJa just transformed into a contemporary dancer right before our eyes. Any technical bobbles were infinitesimal because I couldn’t see them. These judges are going to have to reach to find a flaw here.

Nigel makes a small note about the lack of technique showing, but overall is so impressed by their high levels of commitment and performance he basically just gushes about their excellence. Paula is proud of their technical development and the amount of attention they’ve devoted to it, saying they’ve come leaps and bounds from where they started. Jason agrees wholeheartedly, saying many of the same things and equally expressing his pride in the two of them.

Virgil and Hailee – Broadway
Choreographer Josh Bergasse (Song: Billy-A-Dick, Bette Midler)

Quiet girl living in the city confronts noisy drumming upstairs neighbor, and mayhem ensues. Lots of character and new acrobatic moves that test the laws of physics and trust.

Now this is believable Broadway from Hailee. I still think the other genres suit her better, but she combined the moves and the character and really sold it tonight. The music wasn’t too far off from what was in After Midnight, so Virgil just landed himself in a very familiar pond and took off swimming.

Paula said they nailed the timing and the fun, and was really lighthearted. She also gave Virgil props for taking the note about getting more lift in his jumps. Jason concurs, but also comments that while Virgil nailed his character, Hailee was hit-or-miss in places, and also said while he enjoyed the number, he felt the pair had already performed better in previous numbers that evening. Nigel sees Jason’s point but did think their personalities really came out. And OH MY GOD DID HE JUST OUT THAT WOMAN’S PREGNANCY ON LIVE TV?!? Cat, I never would have guessed because that dress is amazing! Another DANCE baby!

Hailee and Gaby – Contemporary
Choreographer Travis Wall (Song: Do Not Hang Your Head, Elizabeth and the Catapult)

Well, if you’re gonna send Team Stage out on a high note, might as well put Coach Travis in the game. He’s having the girls portray the fear of not being accepted….”love has no boundaries, and we should feel the power of that.”

Right now I feel like Nigel right after Katee and Joshua did “No Air” for the first time in Season 4……that was really, really good. I noticed one slightly off moment in the synchronization but it wasn’t enough to pull my focus from the connection these ladies had. Very nice.

Jason said the girls brought life to Travis’s amazing vision. I get exactly where he’s coming from when he says “I’d pay money to see that” after a particularly effective performance–art is free but some art is just that worth it that you’re willing to give it that high a value. And I think this qualifies. Nigel acknowledged that the feelings they produced onstage were the most important thing, and thought it was beautiful to see. Paula was truly moved by the simple dignity and honesty of the routine and deemed it special…which prompted Nigel to muse about how it seems that guys are unable to achieve that same depth of comfortable connection with a number like that. Cat jumps in….and take note, Nigel–THIS is how you name check SYTYCD routines….and mentions Travis’s creation for Kent and Neil back in Season 7. Leave it to Paula, though, to bring this tangent train back to the station by expressing how nice it is to be able to manifest such concepts through dance.

A brief time-out between All-Star duets and contestant solos for the coaches to muse about their last two contestants standing….

Gaby – Magalenna, Sergio Mendes
This is NOT the song to tackle with a technical and intricately syncopated tap number. That is, unless your name is Gaby Diaz. From the moment she auditioned, got cut and determined she was hitting EVERY CITY until she walked away with a ticket to Vegas, you could see this girl was bound to do great things. There’s not one number of hers this season that has tanked–a few got some small critiques here and there but her skill has never been faulted. And of all of the contestants, she’s been the most versatile because (and I type this before her All-Star duet comes up) she is the only one who has not once danced in her own style outside of her solos and a couple of 8 counts in a Team Stage collaboration. This is her edge to win it.

Virgil (with All-Star Joshua Allen) – Hip-Hop
Choreographers Phoenix and Pharcyde (Song: Let’s Go, Trick Daddy featuring Twista and Lil Jon)

Oh shit–the dudes’ version of Run The World! This is already awesome. (Virgil, you cute and all, but step on my boo thang one mo’ gin….)

That was almost “Hello, Good Morning” worthy right there….the first solid bit of macho aggression I’ve seen out of Virgil yet. Neptune had better get with Joshua and start practicing….

Nigel has been possessed by the spirits of Mary Murphy and Ozzy Osbourne simultaneously, and is standing and yelling and clapping and throwing up old man gang signs. I’m not sure, but I’m going to go out on a limb here and say he liked it. I mean, he has hollered himself hoarse, y’all. Paula is calling this her favorite of all of Phoenix and Pharcyde’s pieces this season, and acknowledges the heroic, powerful tour de force that is Virgil Gadson. Jason just jumps up and gets juiced like his British homie to the left, so judging from that AND the standing ovation, I’mma say the love is unanimous for this piece.

Virgil – A Beautiful Mine, RJD2
You know, it’s such a shame this boy doesn’t have the charisma or the tenacity to survive and thrive in this business…..I’m telling you, if this boy doesn’t blow up in a major way 2 months after this tour, the casting agents just really don’t know what the hell they’re doing. Virgil’s life is going to be spent in entertainment one way or another, and we’re all going to love it.

Hailee (with All-Star Marko Germar) – Jazz
Choreographer Ray Leeper (Song: All Night (Don’t Stop), Janet Jackson)

Total jazz spotlight for Hailee….with her all up on my man again. You and Gaby are gonna make me sneak y’all…..

A couple of rough transitions, and I’d have liked to have seen her do this in those boots Gaby wore. But we all know Marko is about to teach Derek and Jim this routine for the tour.

Paula said Hailee dances with ferocity and intensity, and that’s what makes her stand out….though she thought, as difficult as the choreography was, that Hailee wasn’t as challenged in this one. Jason said she brought the power required for the dance and the music, but would have preferred more fire and grit. However, he does commend the level of excellence produced by her in the five routines performed this week. Nigel said she brought the fire and gave her 100%.

Hailee – Cold Hearted, Paula Abdul
The biggest bang you can go out with is to use a judge’s song and start your routine at the bridge of said song, throwing all that talent at America’s face like, “Let’s do this, Brutus!” Best solo I’ve seen from her yet.

JaJa (with All-Star Cyrus Spencer) – Animation
Choreographer Christopher Scott (Song: Kaolo, Yellow Claw)

The minute they said animation I dared not hope I’d see Mr. Spencer back on the stage….but he and Christopher Scott were the only logical choices for this….which makes Chris’s decision to continue the story from Cyrus’s finale duet with tWitch that much more serendipitous. Animation 3.0 coming at you…..

Cyrus is really little….he’s lost weight. That’s about all I got here because there’s no use in vomiting words over words about how JaJa MURDERED that dance and outshined Cyrus AND tWitch in the process. Nigel’s right….this fight is coming down to Gaby and JaJa, and it’s going to be a close one because JaJa is throwing haymakers.

Jason is standing, so it’s safe to assume this one wowed him. That and the stuttering. Nigel was not as wowed with the sequel as he wanted to be, saying JaJa is so proficient in her style that the inherent promise of “bigger and better” implied by the word sequel did not deliver. (I can actually see his point there–as intricate as the lab smash automation section was, it didn’t carry that same impact as that opening glass shatter of the original routine….which in turn, showed as status quo for JaJa instead of groundbreaking.) He didn’t deny, however, that JaJa was impeccable in her movement and brilliant in the routine. Paula acknowledges that the choreography plays to JaJa’s strengths, but does see Nigel’s point as well.

JaJa – Street Side, 20 Killz
JAJA. IS. BRINGING. THE. BIG. GUNS. She is not playing, y’all. She has mastered street dance and is invading the stage disciplines with all the heart that little body can muster. And while Russell Ferguson still stands as the only fully untrained dancer to win, there has yet to be a female in this rare air….until now.

Gaby (with All-Star Zach Everhart) – Tap
Choreographer Anthony Morigerato (Song: Dibidy Dop (Swing Mix), Club Des Belugas featuring Brenda Boykin)

I KNEW they weren’t going to let me down! Gaby gets a tap routine, and of course, no one else could have done it but Anthony Morigerato. And now that I see the concept, there was no other choice than Zach Everhart….he’s already tackled stairs with Valerie Rockey, so what’s a few boxes 2 feet off the ground? This is the showstopper here, and whether it was practically or strategically placed last, these next two minutes may well seal this contest for Gaby.

J. Lo, have you met Gaby? You will.

Game, set and goddamned match.

Nigel is tickled pink and bowled over by Gaby’s talent and tenacity. Paula (and I keep forgetting we have at least two tappers on the judges’ panel) throws out adjectives like relentless, magnificent and awe-inspiring. Jason (and that’s why I said at LEAST two tappers) kept it short and simple and told Gaby that he’s in love with everything she does, and proceeds to give her another standing ovation….from atop the judges’ table. High praise indeed, with absolutely no pun intended.

That’s a wrap to the night and the season, folks! Just a short wait to see who lands in the champion’s circle this year….four very worthy opponents have thrown their gauntlets and shattered every TV screen in America from the inside. Let’s see who’s standing at the top.

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