The Total Package: SYTYCD Season 12, Week 3 Hollywood

Another week, another round of exciting competition…..

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Top 18 group – Samba/Jazz (?)
Choreographers Asiel Hardin and Reina Hidalgo

Nothing could prepare me for this Brazilian samba-like rhythm and the song title super….Let The Groove Get In by Justin Timberlake?!? Alrighty then….it’s a fun number, though. I can see this being a tour piece.  First-time choreographers Reina Hidalgo and Asiel Hardin are welcome back anytime.

Not caring for this Stage/Street percentage announcement….

JaJa, Derek and Alexia – Contemporary
Choreographer: Stacey Tookey
Song: All Waters, Perfume Genius

Bravery in different forms. The dancers are cast as a war veteran, an abused woman and a single mother, and each has to draw on their own emotions to convey experiences they have no direct way of relating to.

I still wholeheartedly believe JaJa was ready last season, but she is really morphing well into the stage styles. A bobble here and there but for the most part she matched Alexia the whole time. Derek’s salute was weak but that may have been intentional given the theme of the piece….plus he also had some off moments. Considering he had two girls to partner and his own character to portray through all of it, I think he did an admirable job. Alexia danced very well–it’s hard to focus on Stacey Tookey’s choreography as there are several things happening at once. But I think she delivered everything Stacey asked.  The lighting was spectacular.

Nigel thinks Alexia danced tall and Derek did well in concert with the girls, and is also impressed with JaJa’s chameleon-like abilities. Paula lauds Stacey for the piece and agrees on all three, and dubs this as Derek’s best work yet. Jason makes three and appreciates the timeliness of such a piece, feeling connected to the story and the emotion. Cat drags out the results for effect, scaring poor Derek unnecessarily….all three are safe.

Megz, Moises and Jim – Hip-Hop
Choreographer JaQuel Knight
Song: Whuteva, Remy Ma

Choreographer JaQuel Knight (famous for Beyoncé’s Single Ladies choreography) gives the trio a piece that “lets everybody knows you’re here to stay, and ‘whuteva to the haters.’ ” Megz still looks the toughest in the bunch regardless of style, but the guys are really trying to find their cockiness and swag.

Jim tried, and held on to the choreography fairly well, but the swag rested in the not-so-good stank face he was bringing. Moises did better and I thought he gave the necessary attitude. Megz clearly danced more in pocket to help the boys match.

Paula thought their commitment to character, vibe and feel could have been stronger, though she did applaud Jim for being able to more fully express it; Jason thought it was cool, but thought Megz petered off in energy at the last quarter, and the guys gave mediocre backup dancer; Nigel didn’t think the piece worked at all.  Results save Jim and Megz but puts Moises in danger again.

Edson, JJ and Yorelis – Jazz Funk
Choreographer Tovaris Wilson
Song: Restart, Sam Smith

A jazz/hip-hop fusion with Edson as the ladies’ man working two women. Coach Travis wants Edson to own his sex appeal in this piece, while Coach tWitch is impressed with the girls’ grasp on the choreography.

Great sync from all three. Not sure about the level of stage training JJ has had but she’s proving equal to her partners. Also, Edson holds his own extremely well alongside two of the strongest performing personalities in the competition–I got some nice suave pretty boy vibes from him. The jazz technical sections seemed more drawn out and heavy compared to the fun, hip-hop inspired parts, but the execution was strong and precise.

Jason thought it was entertaining and that Edson had some great moments, but could have been more free with his interactions “flirting” with the ladies. Nigel thought the girls are very strong–dubbed them two of his favorites–and said they caught the groove but need to be careful polishing the technique, while telling Edson to embrace his sexuality and infuse his performances with it. Paula agrees on both points about the girls regarding vibe and technique, and notes Yorelis had a slightly better hold on the latter than JJ. Edson got a favorable review on his vibe as well. Yorelis and JJ move forward while Edson falls to the bottom.

Marissa and Asaf – Club Cha-Cha
Choreographer Jean Marc Genereux
Song: +1, Martin Solveig featuring Sam White

A rock star and groupie/plus one connection. Asaf gets to use some of his cocky bravado if he can grasp all of that complicated choreography, and Marissa gets to amp up her sex appeal once she can more fully let loose and be confident in her partner’s abilities. Coach tWitch is just happy Asaf is working hard and doesn’t have to be pulled aside this week. (As are we all, tWitch…as are we all.) Jean Marc gives Asaf a plate to work with to help him maintain his arm space…..now Jean Marc, was the duct tape under yours really necessary?

He tried. I will give it to him–Asaf really tried, and was physically strong and present. But I now see what Mary Murphy has been yammering about regarding foot placement and rhythmic hips…because it was badly lacking. This hampered Asaf’s ability to infuse his persona into the dance, while Marissa thrived in that, making it seem like SHE was the rock star character in this instead of the man.

The judges were unanimous in noting that Marissa, in her effort to dance down to Asaf’s level, danced below her own as well. She is safe to come back next week, though, as Asaf heads the bottom 6.

Gaby, Burim and Ariana – African Jazz
Choreographer Sean Cheesman
Song: Gorilla, Lord KraVen

Choreographer Sean Cheesman casts the trio as animalistic, beasty creatures and themes the piece “dance of the blood moon.” Canes are involved–the girls are grasping it; Burim is not. We’ll see what happens on stage.

Arachnophobes, do not adjust your sets–that is not a spider in the opening shot. Very ethnic and earthy movements, and Burim caught on better than I thought, but this number belonged to the girls. Total powerhouses, those two. Between wardrobe, hair and lighting this was a visually spectacular piece.

Paula thought it was strong, and inadvertently made a reference to the video introduction that triggered the 12 year old boys flanking her at the judges’ table. Thanks to a save from Cat Deeley (because you will NOT drag me into pre-pubescent boy world), she is able to articulate how proud and impressed she is that he’s overcoming his struggles. She also marvels at the girls’ strength and power, and loves the overall visual presentation. Jason noticed a slight misstep on Burim’s part and gave him some advice, but overall loved the concept and the number. Nigel called it one of the best of the evening, praising the two girls and giving Burim his due on keeping pace. He also gives Burim tips on using his second position and plié to get further down into the movement…..then quickly reverts back to his inner teenage horndog. *facepalm* Ariana is in danger again as well as Burim this week, but Gaby comes up safe.

Neptune and Kate – Contemporary
Choreographer Justin Giles
Song: Promise, Ben Howard

Oh goody–an established married couple having to do the long-distance/separation thing. A little too close to my personal home. Both dancers are having to pull on their full emotional range for this piece to prove to the judges and to the viewing audience what their capabilities are.

Good routine. Neptune’s movements need a little more power and completion but he had them and the emotional execution down. Kate is a very fluid dancer, and that tends to imply that there are no drastic levels to her performances. I saw a few sharply defined moments, so she may be able to get better remarks from the judges this week.

Jason enjoyed the chemistry and the “filling in of spaces”, and applauded Kate for breaking out of her shell. Likewise, he praised Neptune’s efforts and intimated that he just might be this week’s favorite. Nigel marveled at the dichotomy of such a limited scope of steps giving off such an expansive aura, and also commented on the progression of audience acceptance regarding pairs of mixed races. (Trust me, Nigel, the ignorance is still out there…..they just don’t say it in the general public.) Paula also sees Kate’s emotional progress and claims Neptune as a favorite as well. Neptune is safe this week with the audience vote, but Kate is in danger.

Virgil and Hailee – Hip-Hop
Choreographers Phoenix and Pharcyde
Song: Runnin, Noahplause

Robots. They’re playing robots. From outer space, even. This should be good. Hailee is picking this up…..wise girl, studying some hip-hop for the show. Virgil is having to bring a harder game to keep up. I’m not worried, though. Coach tWitch described him as “Arnold Schwarzenegger and Richard Pryor wrapped up in a little nugget of a man.” That’s about right.

Ummmm……damn. Dizamn, y’all. I was watching the beginning thinking Hailee needed to bring up her energy and precision…and then I noticed the height difference. Briefly mistaking her for Virgil is about the highest compliment I can give her. That, and I see shades of Eliana. Virgil was no slouch either. These two were virtual dynamite. This is touring.

Nigel dubs them the two brightest personalities on the show, and these two personalities proceed to try to snag the Cole Horibe Award for not breaking character. Paula thought it was fantastic, and Jason is floored by the wacky pair.

So the bottom 6 this week are Edson, Moises and Kate for Team Stage, and Ariana, Asaf and Burim for Team Street.

Team Stage group dance – Contemporary
Choreographer Jaci Royal
Song: For My Help, Hayden Calnin

Choreographer Jaci Royal crafts a piece about needing others to overcome obstacles. Focusing on emotion and connectedness as opposed to the power and aggression of last week, Coach Travis is hoping something new comes across this time.

Still a lot of power and aggressive energy, but the slow motion moves are impressive with the strength and fluidity displayed. Kate’s expressiveness is really palpable in this one.

Team Street group dance – Hip-Hop
Choreographer Marty Kudelka
Song: Break Ya Neck, Busta Rhymes

Legendary choreographer Marty Kudelka gives Team Street a smoother, groovier piece than the previous offerings.

Pretty funky. Squad is in the house.

Twitter saves Ariana and Kate, which drops all of the boys in jeopardy. After the judges’ deliberations, Asaf is the last B-boy standing, while Edson gets the contemporary save. So Burim and Moises–the two I DIDN’T want to leave–are going home this week. Boo hiss. Oh well, the show goes on. We’ll see what new challenges are in store for next week.
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