SYTYCD 11, Top 14–Ten at 11

A quadruple elimination looms tonight (thanks SO much FOX executives for shrinking the show’s air time *raises sarcasm sign*)

Christina Applegate makes her first appearance this season, joining the usual suspects on the judges’ panel tonight.

Image courtesy of 19 Entertainment and Dick Clark Productions

Image courtesy of 19 Entertainment and Dick Clark Productions

Top 14 contemporary

A meeting of the gods and goddesses on Mount Olympus—it’s very smooth and non-quirky so on surface value Sonya Tayeh is not jumping out at me.  I’m not ruling her out, though…

It’s a Stacey Tookey joint, and apparently Ricky is the new soul being welcomed into heaven. Close enough.

The Top 14 dancers are called out to whittle down to 8—the top vote getters’ names are read this week instead of the Bottom 6, who will actually be dancing for their lives on top of their other performances.  Let’s see who America wanted to see on Tour……

Bridget, Emilio, Jacque, Ricky, Tanisha, Rudy, Valerie, and Zach.  Four couples immediately through, and not many surprises on my end.  That leaves Casey, Jessica, Emily, Teddy, Carly and Serge in the Bottom 6.  I’m kind of surprised about Carly and Serge—Serge has been in the bottom before and danced his way out to two judgment-free week; considering he had one of his better performances last week it’s a bit of a head scratcher.  I have NO CLUE why Carly’s down there.  Truthfully though, all six have had really great moments on the show and as two are staying instead of leaving this week this decision is going to be brutal.  Yeah sure, any or all of these cut tonight have strong possibilities to be chosen as Tour alternates, but still….

This week’s theme: the kids give kudos about their partners’ strengths

Emilio/Bridget (Miss Congeniality and the potty mouth…hey, if you gotta cuss, you gotta cuss.)

Jazz—Ray Leeper

“So you’re on a mission from Hell……”  Well that’s attention grabbing, Ray….kind of S3 Neil/Lauren G. but with both dancers hunting souls. Let’s see if they can lure us in.

OK, the theme of “Night of the Dancing Flame” but the feel of that Season 8 jazz Melanie and Marko did.  Definitely hip but not disturbing.

Nigel thought it was fun and thought Emilio was fabulous, though he cautioned him to work on lowering his shoulders; he thought Bridget was a little too cautious and upright and could have sunken more into the movement (I got that vibe too—she played it a little TOO cool).  Christina dug the routine and is impressed with Emilio’s transformation into a more all-around dancer, and gave both Emilio and Bridget advice about maintaining their intention in their heads to hold the “face” of the routine.  Mary agrees as well and thought the number suited them well.

Tanisha/Rudy (Hiccups? Quiet demeanor—Rudy?)

Contemporary—Mandy Moore

A story of seduction…not sure who’s seducing who but let’s take a look.

This is worthy of a ballroom cabaret competition—all those lifts and throws, and the actual on-the-ground choreography feels very rumba-like.  Tanisha pulled focus as usual, but Rudy’s got to be putting in great work in order for that to happen.  I don’t understand why she registered as a ballroom dance, as I have enjoyed all of her routines EXCEPT the ballroom number.

(And now Cat is starting mess with Rudy and Jacque’s two older brothers sitting in the audience…..SMH)

Christina stands clapping, entranced.  AND she can’t speak.  I can’t be positive, but I think she liked it. 😉  She did manage to string together a few syllables about how connected the partnership was, though.  First Mary screams of the evening, so I’m guessing she’s cool with it, too…strong, powerful and dynamic only a few of the words thrown around.  Nigel just told Rudy that he’s so loud he keeps thinking he’s Mary’s love child (they DO match each other holler for holler) but praised their lifts and called them tremendous.

First solo of the night and it’s Serge…that boy has some fast feet, and the fact that he’s hot doesn’t hurt one bit.  I think it’s safe to say that barring a colossal meltdown on his other numbers he’s going on tour as the last ballroom man standing—whether that’s a Top 10 position remains to be seen.

Jacque/Zack (Excellent customer service skills and rapping….okey-dokey)

Paso Doble—Jean Marc Genereux

“A bloodsucking paso doble” (Cat’s words), and the couple walks in to Jean Marc as a Moulin Rouge version of Lestat.  Silly as he is, I know he knows his ballroom, so this should be a power packed dance if they can master the choreography.

Had Zach been a vampire in Twilight, I might have paid attention.  That boy had command of the stage from the first note.  Have no idea where Mary’s gonna rip into his technique but he had that bravado down cold.  Jacque was a little too reserved for me—she was probably trying to keep to the technique but her sinister personality did not come through well enough for me.

WHYYYYYYYYYY are the three of these goofballs wearing fangs?!? *facepalm*  Mary said this different take on the Spanish paso was “love at first bite.”  Mary loved their shapes but thought the routine lost a little steam at the end (I noticed that as well, right after that jump Zach did).  Nigel agrees and was glad the concept didn’t overshadow the execution of the routine.  Christina makes three and hails Zach’s growth and his presence in the routine, as well as Jacque’s abilities.

Second of the solos—Carly.  She had a very good sampling of skill and technique, and that turn combination was insane; however, it was a bit slender in the connecting moves, which is something that has been criticized greatly on this show. This could possibly hurt her chances at Top 10.

Emily/Teddy (Ah, the business degree….and Teddy’s elasticity)

Broadway—Warren Carlyle

A game of cat and mouse, for sophisticated actors who dance.

Nice nod to Fosse and Kiss Me Kate in the opening bars—not quite as loose as Bob would have been but Teddy danced admirably.  Emily dialed back just enough to let Teddy shine alongside her without muscling over him with her personality.  Not sure what went on with that end pose…..

Nigel acknowledged the stamina and skill it takes to perform that style, but was disappointed with the end of the number, calling for more elevation and saying that it was not as strong as it needed to be particularly on such a difficult night.  Christina did note that they got a little wobbly but did praise Teddy’s growth (and his arms) and Emily’s technique—and also urged them to watch the inspiration number in KMK to absorb the nuances of the style.  Mary thought the routine went in and out but enjoyed it.

Time for Casey’s solo—he’s a turnmaster just like Carly but not enough wow in that solo.  Not solid on his chances, as there’s already a pretty boy in the Top 10 in Ricky.

A commercial break, costume change and regroup and then Emily’s right back out on the stage performing her solo…which is awesome.  Beautiful flow and technique and just the right amounts of power and reserve—so far the best of the solos. If she gets to the Top 10 this will be why.

And then Casey’s also gets a quick turnaround for his duet with Jessica….

Casey/Jessica (Awkwardness/turning ability)

Contemporary—Travis Wall

Finding the person that centers you and you can escape from the world with—complete with stage kiss.

Didn’t like the end pose.

That was it.  Everything else was flawless—beautifully in sync and fluid and perfect.  Jessica might have gone a little over with the movement amplification, but they danced well.

Screams and standing Os from audience and judges alike, leaving Jessica surprised and overwhelmed in tears….. “Travis Wall—shut your face!”  So I think Christina might have liked this a little. 😉  Totally enthralled with the performance, the intention, the technique—and not only reaffirmed her assertion that Jessica could win the title but that Casey could give her a solid run for the money…as well as threatening America within an inch of their lives if the two of them ever wound up in the bottom again.  Throwing out words like “life changing” means she ain’t coming over for tea.  Mary absolutely seconds those sentiments and adds breathtaking and amazing to the mix, praising their fast chemistry and performance.  Nigel muses about Casey’s nerves following the loss of both of Jessica’s partners—I swear this old man needs to pay attention…she lost THREE partners—but acknowledges the magic that exuded from the new partnership to make this dance so special.  (Cat, you can encourage free kissing in there all you want, but remember how out of hand the shenanigans got in Season 8 after Melanie and Marko did “I Got You”….)

Teddy’s the final guy solo of the night—and he does this hip-hop/contemporary/Broadway-ish hybrid of a number in a full tux with ankle wiper pants.  Kind of smooth and quirky and offbeat, and a little more understated than I thought he would go for in a winner-take-all situation like this.  Hard to call where the judges will go on this.

Carly/Serge (emotions, and the “bronytail”?  No sir—not even Pat Morita could pull that off in the Karate Kid movies.  Get a headband, I beg of you.)

Quickstep—Jean Marc Genereux

“Let me tell you about the quickstep: the upper body needs to take a chill pill, and the lower body needs to be on four espressos.”  (You have to layer on Jean Marc’s French accent for the full effect.)

Serge is smooth like Godiva chocolate—I don’t know how much traditional ballroom experience he has but he performed well (and I guarantee you Mary is not gonna be all up in his DNA about his technique like she was with Marcquet last week….). Carly was lovely to watch and it seemed to me like she held her upper body frame really upright.

Mary thought they coped well with adjusting to the framework—and true to form only criticized the lack of power through his legs but was otherwise pleased with him as well as with Carly.  Nigel liked the piece and liked that they enjoyed themselves and continue to grow every week.  Christina channels her inner Carrie Anne Inaba and takes a poke at DWTS, but called it sexy without being vulgar, flirty yet demure and fabulous.

Our final solo and quick turnaround from Jessica, who composed herself well enough to display her musicality and technique to Beyoncé’s version of Fever.

Valerie/Ricky (Tomboy energy and Cuban coffee. I have a feeling there’s gonna be an extra tour bus just to haul the coffee….)

Hip-Hop—Christopher Jennings and Krystal Meraz

And just before Academy of Villains hits the stage tonight, Pharside and Phoenix are back to do a funky/scary twisted hip-hop routine.  The witch doctor is struggling to bring the voodoo doll to life.

That was pretty tight hip-hop out of a pretty boy contemporary dancer and a cutie-patootie tapper.  Props to the choreographers, even though I know that’s going to be a problem for the Syncopated Ladies.  That leg lunge/weight transfer (or leg wave, as Nigel puts it) from a seated straddle that Valerie pulled off was DOPE—and difficult.  I kept thinking about Dmitry and Ashley from Season 2 with this, only more hip.  Turn down for what?  For Tour, that’s what.

Nigel thought they were outstanding and was just as wowed as I was about the leg wave, but also praised Ricky for transforming and adapting into an entirely different dance style with as much ease as weeks past, calling him outstanding.  Christina just fangirled over the pair, saying she’d been watching for weeks and looking forward to meeting the two, and not adding much more than “I could watch that all night.”  Mary’s best number of the night as well, and she was impressed with the musicality—so much so that she threw out every possible hip-hop descriptor imaginable (sick, frozen, buck, ridiculous, a crime scene and “murdered it”)

More small groups—girls and guys this week….

Image courtesy of 19 Entertainment and Dick Clark Productions

Image courtesy of 19 Entertainment and Dick Clark Productions

Girls—Contemporary, Mandy Moore

Mandy doesn’t want pretty, she wants powerful—strong women dancing together.

I already love “My Immortal” for so many reasons, and putting it on these ladies tonight was a great choice.  It had the same feel and strength of the fountain piece (“Young and Beautiful”) from last season.  The unison and sharpness and flow were phenomenal, and when you consider that there’s a ballerina, tapper and ballroom specialist among contemporary girls, that’s an amazing feat.  Although I’m gonna need to re-check Tanisha’s qualifications and experience….personally I think she took enough ballroom classes to look polished and is really a jazz and contemporary superstar.

A room full of applauding, standing people has GOT to be a good sign that it wasn’t just pretty, but also powerful, Mandy….Christina has again lost her breath and the power to speak coherently, but she spits out enough to hail Valerie and Jessica—as well as the other ladies, because they rocked as a unit—and said they were all at eleven.  (Spinal Tap reference might be a little out there for them but I think they can grasp a 1 to 10 scale analogy.  Try that next time.) Mary is choked up by the symbolic sisterhood of it all, and Nigel reaffirms Christina’s comment about the piece being a gift and extends to defy Misty Copeland’s pronouncement about the boys being at a higher level this season.  No Nigel, she was right—the girls just put on their big girl dance trunks and brought it up a level this week.  NOW we’ve got a battle coming.

Brief pause to allow the Academy of Villains their shot at the finale spot…and I already see blacklight ready material….LEGGO!  That was a lot to look at in low light but there was a little bit of everything in that—breaking, tutting, acrobatics, jazz/contemporary…you name it, they threw it in there.  The elaborate skeletal/animalistic face paint helped blend the dancers together as a unit instead of delineating gender, which might prove a smart move as it focused our attention to their strengths as dancers without qualification.  Good effort from the group.

Image courtesy of 19 Entertainment and Dick Clark Productions

Image courtesy of 19 Entertainment and Dick Clark Productions

Guys—Contemporary, Travis Wall

Before the break Cat announced that the boys are going to be up close and personal with the front row.  I’m sure all of those spectators are SOOOOO disappointed…..

From Sonya’s Broken People last week to Travis’s Lost Souls of the Sea this week….boy oh boy do y’all have some imaginations!  Travis decides Emilio needs to go flying in the air with a basket toss…you let that boy break his nose again and love or no love, I’m coming after you. *side eye*

Ladies and gentlemen, THIS is how you present boys in skirts.  The apron over straight but loose pants is perfect….and seven extremely yummy-looking chests don’t hurt things at all.  Since they’re a nice sea-colored blue-gray I’ll even forgive you for shoving the waistlines under their armpits again.  The boys did well keeping the movement liquid and synchronized, though there was one person in the center that was off by a fraction in the middle section (I think it was Casey), but I’m really splitting hairs here.  That ending visual with them just falling off the edge into the deep end….I mean, what?!?  Dude….I can’t even….and I’m well past the age where that phrase is appropriate.

I think Travis just broke Christina….Mary starts off with memorable, smart and important, and continues to gush from there. Nigel likened them to a coral reef in the deep sea with the ebb and flow of their movement and was equally appreciative of Travis’s “gift” to the audience.  “Maybe Misty was a little right (about the boys).” I done told you about doubting me, Nigel…. Christina said “Shut your face” and “I can’t stand you” to Travis this time—I actually expected her to say the second one once her jaw hit the floor and she grabbed her forehead—she’s so emotional.  “Do you know why I come here? Because I get to have THIS.” Yeah…pretty much the reason I still watch and write faithfully whether I agree with the choices and decisions or not—because we ALL get to have this.  LOVE that she lightened her own heavy mood by telling the guys that their boobs were showing….but shut up, mayn—I was enjoying that view!

Time to reveal the last two in the Top 10—and sadly, the next four dancers to leave the competition.  Best solos came out of Serge and Emily, best duet came from Casey and Jessica.  I’m still thinking Serge for the boys because he was most solid all around AND because he’s ballroom, and probably Jessica for that duet.  Carly and Emily are on pretty equal ground in the face of that, and Casey and Teddy’s solos were good and OK, respectively.  Still, who knows what criteria the judges will employ to make this tough choice?

That duet was the clincher—Casey and Jessica round out the Top 10.  Serge got about three more rounds than his original partner Brittany Cherry, and I claim validation for the both of them in that.  Plus, like I said, I’m betting all six of these kids are going to wind up on the Tour.

Now for the final bit of business—the freshly minted Top 10 get their All Stars!

Rudy gets Jenna Johnson (Season 10)

Jacque gets Chehon Wespi-Tchopp (Season 9)

Zach gets Amy Yakima (Season 10)

Bridget gets Brandon Bryant (Season 5)

Ricky gets LoFro (Lauren Frodeman, Season 7)

Tanisha gets Ryan Dilello (Season 6)

Emilio gets Jasmine Harper (Season 10 and new Degree spokesdancer)

Valerie gets Ade Obayomi (Season 4)

Casey gets Kathryn McCormick (Season 6)

Jessica gets….tWitch?!? (Stephen “tWitch” Boss, Season 4)
I don’t remember her hip-hop in callback week, but we’ll see what happens….

Image courtesy of 19 Entertainment and Dick Clark Productions

Image courtesy of 19 Entertainment and Dick Clark Productions

PRE-SENT All-Stars–time to crank it up, Season 11!

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