It’s the last competitive go-’round as the Final 4 take the stage to claim the ultimate prize–the “America’s Favorite Dancer” title and the trapping that go along with it.
Paula Abdul returns to the judges’ panel, along with Olympic Gold medalist Gabby Douglas. While I love her and know that some dance training is needed for those floor exercises, I’m not completely sold on how solid her critical skills are. Still, she’s still better than Carly Rae Jepsen. (Yes, THAT dead horse will NEVER stop getting beat….)
Top 4 Group
Jazz – Mandy Moore
Sorry, America—I’d LOVE to tell you more about the number, but someone in broadcasting didn’t think we needed to see it. (And, from what I’m gathering, neither did most of the country.) I’m all for trimming broadcast fat but a DANCE NUMBER—particularly one featuring the top 4 FINALISTS—should not have been at the top of the list. I remember on the first watch/skim-through that it was odd that I missed the group number, but I just thought I zipped by it by accident. This might be the stupidest move since the Bottom 6/elimination announcement at the top of the show. (And NO, it will NOT make us forget about that, and YES, I meant to say stupidest. That’s how colossally asinine that decision was.)
Tonight the kids, in addition to the group number America didn’t see, get to dance partnerships with each of their competitors as well as their solos and All-Star pair-ups (the dancers got to actually pick the style of dance they performed with their All-Star).
Jazz – Ray Leeper
Sexy with a club feel. Ray’s words.
This is where we notice the variances in height and energy—even though Aaron’s putting out just as much as Amy is, hers seems to carry across to the audience that extra bit more. I see a lot of that champion’s attitude in her performance that Melanie and Jeanine exhibited. Aaron, despite his very good efforts, looked a bit lumbering and clunky next to his tiny dynamo of a partner. He maintained his stamina and performance level quite well—but when you put a Roman candle next to a brick of C4, the differences in impact are staggering. The costumes were funky—I really dug Amy’s; Aaron’s could have done without the vest—or something different with the vest—because it took away from the designs on the tat sleeve (which was oddly only on one arm….).
Nigel loved the costumes (and took a dig at Paula in the process), saying they laid down the gauntlet in this final; Mary agreed and loved the strength, energy and attack the two lent to the number; Gabby loved the spunk and attitude of the number; Paula thought it was a nice departure from their usual styles and was duly impressed with both Amy’s center and ability and Aaron’s strength of partnering and characterization.
Contemporary – Travis Wall
A couple growing apart, imagined in the middle of the ocean floating away from each other.
Visually, this piece reminded me of the Viennese Waltz Twitch and Kherrington did back in Season 4, and then Jasmine throws in that Eliana Girard-worthy Bang, Bang extension. Every time she throws a leg up I die a little inside knowing the short, aging stubs I walk on will never even come close to looking so magical. I was very impressed with their unison moments and Fik-Shun’s partnering skill (to borrow Debbie Allen’s vernacular from Season 5’s critique of Evan and Kayla, he “handled his big woman”). I’m not sure exactly how long this piece was, but it was over before it began…or at least it felt like it. I wasn’t finished watching them dance and then they ran out of steps. Sigh…..
Mary was moved to stand and the Deeley chills came into view. Mary was swept away by the movement and pleasantly surprised by Fik-Shun’s success with this partnership given all of the challenges and contrasts between the pair. Gabby also admitted to goosebumps and was drawn in by the performance, noting how impressed she was with Jasmine’s lines. Paula has another Cyd Charisse apparition in watching Jasmine and is again visibly moved by Fik-Shun’s transformation as a dancer. Nigel agreed with Gabby on Jasmine’s lines and with Paula on Fik-Shun’s development.
Aaron (with All-Star Melinda Sullivan)
Tap – Anthony Morigerato
Although he lauds their abilities in the pre-package, Anthony says absolutely nothing about the story behind Aaron and Melinda’s piece. It’s a slow syncopated number to Bruno Mars’ When I Was Your Man, a maudlin little ditty about the regrets a man has after losing his woman….so we’ll call that the theme. Bruno’s tortured vocals over a simple piano acoustic lend the greatest musical stage a tapper can hope to have to highlight their craft, and these two use it to full advantage and impact. The piece is deceptively simple-looking, and it is to a degree—there’s no big flash or trick movement to make the crowd jump up and gasp. But the clarity of the taps, particularly in concert with the music and each other, is the star of the show here. Aaron’s emotive abilities are always clearly obvious and in this, his own style, is no exception; however, the fact that he can keep that kind of consistent characterization for emotions not usually served in this genre gives just a small peek into the genius performer that he is. Melinda herself is amazing (said as more than a rabid, biased fan and minuscule investor in GONE, her recent Broadway project) and for Aaron to match that as if they had trained together for years proved that he’s got IT. Who pulls at heartstrings with a tap number? *points two fingers at the high-yella boy on my TV screen* THIS guy.
Oh, and by the way, thank you very much for the first tap number to grace the performance finale stage.
Full standing O, and rightly so….Gabby is awed speechless; Paula is beyond excited (remember her Straight Up and The Way That You Love Me videos showcased her hoofer’s grace) and hails Aaron as the ultimate storyteller of the season; Nigel loved the conversation the two “best tap dancers of the series” had with their feet; and Mary thought they were spectacular.
Jasmine (with All-Star Comfort Fedoke)
Hip-Hop – Tabitha and Napoleon Dumo
Throwing caution to the wind, contemporary dancer Jasmine goes full 180 and picks hip-hop. She is paired with Comfort in a Nappytabs joint all about flexing the girl power. I’m not sure about the presence of the bicycles—maybe if they’d be motorbikes or some kind of harder-looking scooter, I’d buy the whole strength and empowerment thing. (Watching the clip, I kinda wanted to see her do the number with Tabitha—who I’m still rolling my eyes at for looking (and dancing) like THAT a year after squeezing a small human out of her body. Ugh!)
I’m still seeing Jasmine’s stamina flag out mid-way….and she was definitely serving it the entire dance move for move. I can’t put my finger on why I’m seeing this energy drain in the face of fantastic dancing but it’s there in every non-contemporary number I see her in. It was expertly performed, though, especially with that bike sequence—one missed count would have thrown off the equilibrium of the entire piece. And I do applaud her for stepping outside of the box to be seen as an all-around dancer. This would be a good number to have on the tour, though….maybe a match-up with Hayley?
Paula is wowed and marvels at Jasmine’s ferocity and versatility; Nigel lauded her choice to display her versatility and her fighting spirit; Mary thought Jasmine danced the piece as if she had choreographed it herself and dubbed her “badass”; Gabby put it best and succinctly: “YOU BETTER WERK!” (Whatever your closed-captions said onscreen, the above is EXACTLY how she said it.) She also called for Beyoncé to grab them up and for some assistance with her next floor routine.
Argentine Tango/Paso Doble – Miriam Larici and Leonardo Barrionuevo
Power and passion.
They had my boy Fik-Shun WORKING tonight—still some posture issues but I could see him thinking and trying to apply former corrections along with the current choreography. Try as I might, Amy as smoldering temptress is a hard sell…at least from the neck up. She hit those skill moves well and exuded passion in her stance; it’s just not her fault I can’t look at her and not see Joey Potter playing dress-up. However, the chemistry manufactured between the two of them was believable.
Nigel thought Fik-Shun gave a brave attempt that fell just a bit short and that Amy displayed as much skill and strength as Jasmine displayed earlier and that both are worthy opponents and brilliant dancers. Mary loved the choreography and also noted Fik-Shun’s weak points but also praised the level of partnership, while calling Amy mind-blowing, strong and beautiful to watch. Gabby loved the chemistry and the emotion of the piece; Paula was also stunned by the choreography and thought Fik-Shun “handled his woman pretty darned well,” (I’ll get her later for stealing from my mama) while telling Amy that “it’s hard to comment on perfection.”
She’s way harder on herself than I could ever be. And who knew it was Cat that had to fight for Jasmine?
Y’all thought that duet flowed like water? This one really did….and I believe I saw more confidence exude from her in this piece than in any other.
Samba – Dmitry Chaplin
“This samba is going to be a party starter.” The cocktail analogy was cute but y’all could have stopped at that one sentence and given the TV audience the group number instead….
Not quite Anya and Danny Girlfriend-worthy but not as strained as the Sasha/Tadd tango from Season 8. The skirt issue was well handled by Aaron but still slowed them down a bit. Jasmine stayed in vamp mode and carried it off well, and while I could have used a little more looseness and party feel from Aaron, I think with the exception of a couple of raised shoulder moments he did quite well with the forms and technique.
Mary thought while the choreography was brilliant, she didn’t feel that it was danced very well and pointed out a lot of the techniques issues I saw and more. Jasmine fared better than Aaron in the critique, but not by a whole lot. Gabby conceded to Mary’s expertise and agreed that the number wasn’t the strongest they had done tonight. Paula may have concurred with the technical assessments but chose to compliment the two on their energy and synergy both tonight and throughout the season. Nigel also wanted more and for once didn’t feel the chemistry between them, sensing discomfort instead.
It’s Fik-Shun’s world, and we’re all just puppets on the strings he’s pulling. I just LOVE him to pieces.
Gangnam Style annoys my toenails off. And yet I will watch that boy do that number ALL. DAMN. DAY. I just want a glimpse of his imagination….you know how Moses had to hide in the cracks of the cliffs covered in order to just have God’s presence pass over him? If there’s some way to get Fik-Shun’s imagination to wash over me like that, I’d be unstoppable.
The other half of the pocket duo takes the solo stage, and she makes me smile, too.
This was one of the most cohesive performances of the “same” contemporary dance she’s done yet. I really want to see her do something more light-hearted, but she’s using what works to win. And I can’t be mad at that….especially when it’s so GOOD.
Fik-Shun (with All-Star Stephen “tWitch” Boss)
Hip-Hop – Luther Brown
“Dancing hip-hop with tWitch would make my life awesome.” Kid, do you have ANY idea what that’s about to do to OUR lives?!? Bring on the Swerve 500!
It must be time for Christmas dinner, ‘cause I just watched two of the biggest hams in SYTYCD history cooking. As much as I loved watching tWitch pair up with Joshua Allen and Cyrus Spencer, Fik-Shun is the perfect match to him—like someone took a rib out of tWitch and fashioned a mini-twin that came out Fik-Shun. (I don’t know WHY all these Biblical references are popping up, but I guess that’s more testament to Fik-Shun being the gospel truth.) That was fun and cheeky and popping and rough all at the same time. We’ll be seeing this in an hour. Bet on it.
Gabby was totally wowed, Paula liked watching the two talented goofballs in their hip-hop playground, Nigel even dubbed them tWitch and tWitch, Jr. and called it fantastic, and Mary even brought in Phillip “Pacman” Chbeeb as a comparison and told Fik-Shun how proud he was going to be when he watched the number on video. Not even close to as proud as the rest of us, kiddo.
Another year of history being made with the first tapper making the finals….what a blessing in disguise a twist of fate can be.
Subtle and sophisticated syncopation—and then he hefts that big body into the air in a straddle jump. Boy…….. *throwing my OWN tap shoes at this expensive ass TV*
Amy (with All-Star Robert Roldan)
Contemporary – Stacey Tookey
Courage and bad timing—“I Got You” with a sadder ending, where the girl realizes what she could have had as the guy is letting go.
I am constantly amazed at how Amy can take her physical strength and emotional vulnerability and just combine them so beautifully and seamlessly that it looks like she’s just walking through it. I might have chosen a slower arm drop at the very end, but that’s just the nitpicky artist in me….the number was impactful regardless.
Standing O across the board—Paula is choked up and completely moved; Nigel thought they were intoxicating, stunning and breathtaking; Mary marveled at the supernatural energy Amy radiates with each movement; Gabby seemed just as choked and just as stirred by the performance.
Broadway – Tyce Diorio
Two guys in the hustle and bustle of the rough city, complete with suits, hats, briefcases, platforms, and….was that a treadmill?!? Alrighty then….
Too much going on, Tyce—and the few novel moments on the ‘mill didn’t quite justify its presence. The boys put out their best personas, though. Aaron looked a little reserved in places and that’s either a testament to his exhaustion or the megawatt level of Fik-Shun’s onstage energy. Must be that gentle giant syndrome we saw with Amy earlier.
Nigel was reminded of Michael Kidd (no lie, even I had to look him up, and am truly ashamed I knew his work but not his name); Mary thought this was feel-good choreography that charmed the pants off of everyone; Gabby loved the energy and the stunts and lauded the pair kept up an amazing show throughout; Paula thought they were both completely in their element and called them the top showmen of the season. (Had no idea Paula gave TYCE his first break…is there anyone you haven’t mentored in some way, woman?)
Jazz – Mark Kanemura
“A typically straightforward jazz rehearsal.” Cat, I don’t even know how you said that with a straight face. When Mark opens with the phrase, “It’s the age old tale of Siamese twins from the fierce jungles of Saturn……” you know you’re going on a trip that even acid can’t rival. (Not that I’d know PERSONALLY, mind you….) Lip-syncing with the body….of course, Mark. And the fact that the song is The Diva Dance just adds to the overflowing bowl of quirk you’re about to serve us.
Appropriately weird, as expected. As I watched I couldn’t help but make Jasmine comparisons: Jasmine Mason was pretty equal to Amy and, in my opinion, outshone her in moments during their “Meet the Top 20” duet; Jasmine Harper, while high-energy and syncopation all the way, got smoked by The Little Dancer That Could. All of the specific and peculiar shapes Mark gave them to do should have been more sharp, angular and precise on the tall dancer with the long limbs, but it was Amy attacking those forms with perfection. You can see the marked differences in still photos, and with costumes as specifically duplicate as these variations in form are glaringly obvious. This was a fast, tough piece, though….and the divas did the damn thing.
Mary loved the “crazy, creative and quirky” offering from our budding male Sonya clone; Gabby agreed and thought the fun number was a great way to end the evening; Paula evidently found her home planet in this number (which may explain a LOT of the past few years); Nigel is completely flabbergasted by both concept and performance and puts the girls as the top two in an overall perspective, then joins Paula in a belated standing ovation (with Mary and Gabby to follow suit)—a gesture I know is not only for this pair’s performance, but for the whole Top 4 and the excellence of the entire Top 20 this year.
All I did was divide my web votes—I simply cannot choose this year. Like last year I can’t pick between any of them; unlike last year I can’t settle on an actual favorite. There has yet to be a brown-skinned female champion (love Sabra and her win—at least on MY part—was truly vicarious) and Jasmine is only the third to make it to Top 4, and fourth to make to finals if you consider Season 6 Ellenore was one of SIX finalists; seeing very few of “us” even make it to the main stage, I’m hoping for history. The same goes with Aaron, who would be the first older dancer, first tapper, and would follow in Benji Schwimmer’s footsteps by going from alternate to champion….plus the New Orleans connection keeps him my sentimental favorite. Fik-Shun might be a validation to last year’s Cyrus fans that a truly untrained dancer CAN triumph—plus he’s so dang cute and larger than life I really would like to see his star launched into the stratosphere. And Amy….the girl’s just good. Even in that slip she keeps beating herself up on, she had more grace and style than the most perfect performances. Anybody who can look that good screwing up and then bring several of the most memorable performances of the season (quite a few of which I suspect we’ll be seeing tonight) is no sleeper. I’m leaning to Team Tall but I’ll be a FAMY monster all day, too….and any combination of those will be correct, as well. This year, the answer to the question “Who is America’s Favorite Dancer?” is a resounding and unqualified YES. Whatever names are called.