A new week of competition as we get closer to solidifying the Tour lineup. The cuts aren’t getting any easier, folks….
Top 14 Group
Y’all sure love dangling folks in the air…looks like a combination of contemporary and ballroom. Way too much going on for one pass. (Or even 5 or 6, as I’ve watched this piece over and over and can’t really zero in on one dancer for any length of time. Though again Aaron keeps establishing his presence…I feel like I’m copying and pasting that phrase from one blog post to the next.) Sonya Tayeh and Dmitry Chaplin confirms the genre mashup…if this choreographer combo business is going to be a regular thing, can I make some suggestions?
Curtis is out—this week—with a shoulder injury. If he winds up in the bottom, let’s hope this doesn’t affect his place in the competition. (Though the doctors apparently DID clear him for the dancers’ intro….)
Adding mini group numbers to the mix of couples dances….I don’t remember doing groups in competition this early, but there’s a first time for everything.
While they DO work, why does Cat have drapery tassels hanging from her ears?
Guest judge – Anna Kendrick
Pitch Perfect and a Tony nod should give her something intelligent to say.
This week’s Bottom 6:
Jasmine is the only big surprise in this bunch, but I don’t think she or Makenzie are in grave peril (At least Makenzie, who as I suspected, was immediately saved by Nigel). All of the boys just got dismissed from dancing for their lives BUT were still considered to be in danger. That does not bode well for Curtis in my mind, though Alan is on thin ice with the judges as well. It’s gonna take a royal screw-up from both him and Nico to keep Curtis solid, though.
Clean syncopations and several toe stands, but not a whole lot of huge, flashy tricks. Clarity might be enough, but her routine’s simplicity mirrors the solo Curtis did—and was ragged on for—last week.
Should have known Endangered Species was a Dianne Reeves joint…but I digress. Jasmine was fluid and frantic and threw in every turn and balance skill in her toolbox. It wasn’t dazzling and spellbinding, but it was quite good. I call the solos themselves a draw, and will wait for the other dances to make my call.
This week’s question: how did our dancers catch the dance bug in the first place. [Again, I’ll put the answers in brackets.]
Hip-Hop – Luther Brown
Killing it in the club—Team Tuna is a fish out of water again….I REALLY can’t see them being ‘hood.
[Jenna’s in the Lollipop Guild and Tucker dances a solo that really wasn’t….well I thought you were doing great, sweetie….]
Valiant effort, kids…..they looked like Mary and Adam Shankman trying to be fly. Well, Tucker looked like Adam up until he unzipped his jacket….They kept on rhythm, but no real force of swag.
Time to get ready for the Mary Murphy drinking game….
Nigel thought it was a little unconvincing—they didn’t get the whole feel of it. Tucker was too upright and Jenna was too sweet, and he deemed it unmemorable. Mary thought Nigel was a bit harsh, but agreed to a point. She did, however, appreciate that they attacked what they were given, and said Jenna edged Tucker out a bit. And she just threw in the word “ratchet.” I think I may faint…. Anna said it wasn’t their strongest and may have been a little cute, but thought they were lovable and gave a great effort.
Contemporary – Sonya Tayeh
[Girly girl Alexis tapped in a tux and Nico was literally the class clown…yes indeed…..]
A relationship falling apart—Nico’s moving on and Alexis won’t let go.
It’s what Sonya gave her to do, but those static runs were just killing me–I couldn’t take her seriously. The energy of this piece was very similar to Nico’s audition solo, but with a harder edge, so I think he did well with this one. It didn’t spotlight Alexis in the same way, and I fear this may mean her exit.
Mary lauds Sonya’s abilities and was actually feeling the energy and desperation Alexis was putting out, and was taken by Nico’s performance as well, calling the two spectacular. Anna was impressed with the range the two showed throughout the piece and thought the tension they created was palpable. Nigel marveled at the strength they put forth, particularly in the face of both of them being up for elimination.
Argentine Tango – Miriam Larici and Leonardo Barrionuevo
ADHD Curtis and ornery Hayley [at least by their accounts] practice the tango with lots of giggles and distractions, much to Miriam and Leonardo’s dismay. A couple that meets for the first time on the dance floor is the underlying story.
Leonardo himself steps in for the injured Curtis—I’m going to try to look at this as an unfolding plot line and ignore the “skeevy old man” potential this could have. OK…being thrown around the stage by the actual choreographer can’t possibly hurt, but I do believe Miss Hayley has a future as a femme fatale. Much like that samba from a couple of weeks ago, she exuded fire and passion, as well as some pretty darn good-looking form.
If I didn’t already accept Anna’s credentials, the fact that she is actually actively watching this season and giving fully-fleshed critiques based on everything shown thus far puts her on the short list for a repeat performance on the panel. While she deferred to Mary regarding the technicalities, she noted that Hayley has coped well with all of the emotional gambits given to her, and not just the “sexy girl” box she seemed to be repeatedly put into. Nigel said Hayley nailed everything and was quite stunning—given that she had a professional partner, I gather he thought she would be intimidated in her movement. Guess that’ll learn ya, Nigel. Mary gave a standing O and thought she was quite impressive, in disbelief that she was ever a clumsy dancer in her youth. Both Mary and Anna want to be Hayley for a few minutes tonight.
Jazz – Sonya Tayeh
[I forgot Makenzie had the jazz singing parents…..and I never would have guessed Paul was such a late bloomer in dance.]
Sonya immediately orders Paul’s shirt off; there’s going to be a lot of power and aggression in this one.
The fact that they’re dancing to one of my cousin Catherine’s favorite go-to Santigold songs is going to distract me, but I’ll try to concentrate….Y’all can sleep on Paul if you want to, but that boy’s got something. Don’t forget he already won this game in another country. But all that aside, he’s got some really great range and versatility considering he’s a late bloomer. You know who else was a late bloomer? Chehon Wespi-Tchopp. ‘Nuf said. As for Makenzie, damn if that girl isn’t making tour—especially if Nigel has anything to say about it. But y’all CAN see why Nigel keeps saving her, right? Phenomenal job. And since Sonya is dancing in the aisles again, you can bank on that statement.
Nigel thought they were both brilliant and is still nonplussed as to why Makenzie isn’t clicking with the fans. He also brought up Paul’s Armenian win and said he was on track to take the American crown as well. Mary agrees in the Makenzie assessment and though Sonya brought out another side to Paul with this piece. Anna called Paul a total MVP and thought the fact that this piece displayed Makenzie’s athletic ability as opposed to simply spotlighting her ethereal beauty—intimating that perhaps that may be the push to change the public tide.
Contemporary – Justin Giles
[I don’t know that I’ll ever be able to unsee Aaron in that Ugly Stepsister dress…..and Jasmine’s tomboy phase extended to the early stage as well. She was all over the place, but then a lot of the students I’ve taught like that have gone on to surprise me with their skill and focus in their later years—much like Jasmine is doing now.]
Shel Silverstein’s The Giving Tree in dance…fascinating. I gotta read that someday….
Aaron is just stunning when he does contemporary….I can almost forget that tap is his original specialty. The star focus on Jasmine was dimmed tonight, but that was by design. And she still manage to stand out without overstepping the parameters she was given.
Mary thought it was seriously interesting and was impressed with the couple’s navigation of the prop for the entire number, even saying that it was more of an extension of Jasmine’s body than a noticeable object. She also lauded the tenderness in Aaron’s partnering. Anna was moved by the emotional intention and intensity, and was impressed by Jasmine’s magical grace. And she is clearly also a huge and totally biased Aaron fan….not that there’s a thing wrong with that. Nigel waxed poetic on the plot of The Giving Tree and equated the unconditional love displayed in the story to Team Tall’s partnership.
Cat said they’ll never have to see that apple again. Show of hands—who knows that we’re not only going to see this as a favorite in the finale, but as a tour number as well?
Hip-Hop – Christopher Scott
[Amy’s a 2-foot-tall bundle of energy and Fik-Shun’s another late bloomer.]
Fik-Shun is at a café ordering the catch of the day—Amy, the tired, beleaguered waitress just trying to get to the end of her shift. What kind of mojo does my boy have with the ladies? We shall see….
LET’S GET IT ON BY MARVIN GAYE?!? Whatchallknowboutdat? It worked, though…I imagine the feeling we got from this is what Janelle and Dareian were supposed to do last season with the My Girl number. Even with the prop slips, they played through them beautifully. And that “tragic” hyper energy Amy was blushing about from her 7-year-old performance? Without it, the character in THIS dance wouldn’t have been as believable. I love me some Famy!
Anna wants to take them home with her and thought the dance was made for them. Nigel thought they were tremendous, stating that if the show was based on cumulative points they’d be so far ahead nobody could touch them. His own concern is that they seem to fall into the same characterizations and would love to see something different from them. Guess that paso or that über-serious contemporary wasn’t different enough for him. He DID, however, put their partnership in the same class as Katee and Joshua and Melanie and Marko. I’ll have to agree with him there. Not to mention both of those aforementioned couples boast a champion….major omen there. Mary makes it unanimous and was upset that it didn’t last longer. They still have their train ticket.
“Malese and Alan dip into the season’s first salsa.” REALLY, Cat? I know you didn’t write that line but you didn’t have to agree to SAY it….smh….
Salsa – Jonathan Platero (Season 5 alum)
I remember Jonathan DOING Latin, but I don’t remember it being his specialty….great to see him again regardless.
[Malese, be glad the accident was offstage–THAT might have been the visual used. And Alan looked reserved even back then–in childhood it’s understandable, but he’d better find something to light a fire under his butt.]
TOTALLY forgot Malece got dropped on her head in Vegas. I think Alan’s paying attention, sweetie…you should be good. Saying some Hail Marys for you anyway, even though I’m not Catholic. SHE DID THE JANETTE MANRERA FLIP!!!!! Though I did sense a little hesitance in other areas from her…not to mention fearing a wardrobe malfunction with that top…. Alan was in his element, which meant some of the unison moves didn’t quite match in energy, but they did really well.
Nigel thought it was a tremendous routine and thought Alan was indeed there for his partner, though he did think he was still a little too tall in stance when he should have been a little lower. Mary was impressed with the energy level and intensity, and marveled that they managed to keep and get back into time after all of those exhausting lifts. Anna admitted that she didn’t always “get” ballroom on the show, but this routine made her want to take lessons. She thought it was solid, and even though it was terrifying with all the lifts and such, she never felt nervous. (I wonder if somebody got a shot of MALECE’S dad this week after the “make a baby” comment….)
Makenzie, Jenna, Malece, Hayley, Alan, Nico, (Curtis)
Broadway group – Spencer Liff
Mixed groups….hmmm….good way to set up tour material. Very prop heavy number, and no they didn’t just cross the pool cues into Roman numeral tens……wow.
American Graffiti meets The Outsiders meets Cool Hand Luke. And was that Spencer filling in for the injured Curtis? Why yes…yes it was.
“It’s like, boring how good you guys are.” Anna had no words for the kids but did take a moment to shout out the SteadiCam operators. Every time I think of the moves I had to make with the heavy pedestal cameras, I realize that was child’s play compared to some of the shots from the SteadiCam—particularly the Top 20 one-take. (That ish was the bomb and deserves perpetual praise.) Nigel thought Spencer unintentionally showed the boys up, but the girls were tremendous…although he thought Malece was a little uncomfortable in places. Though considering both she and Alan went immediately into this number from that break-neck, breath stealing salsa, it’s a little understandable. Mary agrees, just as impressed with Spencer and slightly disappointed with the boys while also praising the girls’ efforts.
Fik-Shun, Aaron, Tucker, Paul, Jasmine H., Amy, Alexis
Contemporary group – Bonnie Story, of High School Musical fame (if I remember correctly, her daughter tried out one year)
A piece about bullying…Bonnie even gives them real source material from a friend’s first-hand account.
Against Amy and Tucker, you can see the technical weaknesses Fik-Shun has. But they made no difference, just as with every other foreign style he threw himself into the movement 150%. Very dramatic and worth seeing on tour without the SteadiCam assist–nothing against it, mind you, but some things just need to be seen straight on. Tucker simply took my breath away. The dancers in black did their jobs well, but I just have to watch this again and focus on them because in a group of seven people, this was the Tucker Show, guest starring Amy.
Mary echoed my sentiments about Fik-Shun and was touched by both the movement and the message. Anna seemed to be at a loss for words but said the dancers were fantastic and was thankful for the dancers’ dedication and for the show as a rare platform for that dedication and passion. Nigel agreed on all points with everyone, adding a statement to Fik-Shun to absorb and improve all the technique he can at this moment, because that added to the heart and soul he already possesses in spades will render him unstoppable. Top 4, y’all. I’m going to keep saying it until you see I’m right.
The only logical thing to do was to cut the two tappers in peril. I didn’t think Nigel would have the cajones to do it, but he did. Alexis and Curtis both have promising futures, though, and it’s not unlikely that one or both won’t wind up on tour. My money’s on Alexis of the two of them, though….
So, this leaves Aaron as the lone hoofer left in the competition this season. His versatility and amazing facility for contemporary dance in particular should cement him a place in the Top 10 and on the Tour, if not his enormous popularity with the fans. Next week will tell the tale for everyone in that regard, as we will know who all of the Top 10 will be–and which two dancers will fall just short of the All-Star rounds.