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SYTYCD 11, Top 6–Boogie Nights and Technicolor Dreams

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Last show before the final choice is made!

Christina Applegate is back for another week of judging

Top 6 group–Hip-Hop

Blacklights, makeup and props…choreo looks Dave Scott but concept looks Pharside and Phoenix.  But no, it’s Nick DeMoura…the Biebs’s choreographer, “co-host” for the Crew Challenge, and purveyor of a new instructional dance video.

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All-Star pairs, contestant pairs (which by chance or choice happen to be original pairings) and solos for the crew tonight….and we start by reuniting Valerie and Ricky

Valerie/Ricky
Broadway—Spencer Liff

Spencer is choreographing a Technicolor dream….

Valerie’s in this aqua frothy dress and the kids get to play with a swing.  Spencer’s combined a little Fosse with a little Gene Kelly/Cyd Charisse (or Leslie Caron, if you prefer)—Valerie actually reminds me of Singin’ in the Rain era Debbie Reynolds…and Ricky has the physique of Bob Fosse with the technique of James Mitchell or Jacques d’Amboise.  I was quite impressed with that jump through the swing.

No they DID NOT embarrass that poor girl with rehearsal footage of her slip getting caught on the swing!

Nigel loved the feel and thought that either of them would make a welcome addition to the On The Town cast should they win, and upon him bringing up and instant replaying Ricky’s jump I’m even more impressed that it was a jeté; Christina thinks they both have That Thing to take home the win; Mary that their chemistry was honest and thought it was breezy and sweet.

Jessica and Casey are teased up to their disco finest going into the break….wonder what they’re doing….

Jessica/Casey
Disco—Doriana Sanchez

Didn’t see that one coming…. -_-

A “sexy, fun and technical” disco…do you teach any other kind, Doriana?

Casey just might give Brandon Bryant some relief as a future disco All-Star—the kid was just the right amount of clean and kitschy.  Jessica did well though some moments of hesitation were visible, particularly in landing that end pose, but she definitely threw her whole self into the experience.

Christina “ages” herself by bringing up Denny Terrio and Charo to compare the kids—she kinda has a point, which dates me too, but whatever—but she thought it was fabulous, but noticed a shade of fear in Jessica’s expression on a few moves (in a most indelicate fashion….snot, Christina? Really?); Mary was thrilled dizzy by the kids’ performance; Nigel proclaimed it tremendous and agreed that the kids did very well.

(Coming up, cooling off Nigel’s hot head and making the kids cry with family videos tonight….starting with Ricky.)

Ricky—Solo

Dude, please…shut your face.  Just shut it.  You might not be my vote but you definitely have skills and passion.

Jacque/Zack
Foxtrot—Jean-Marc Genereux

“Zack Astaire and Jacque Rogers”—seriously, J-M?  Them’s big shoes to fill.

A little rocky in spots, and Jacque REALLY has to break out of that “smiley” face and present something more genuine, but it was a very nice number.

Mary called it, too—though she called it “snazzy and jazzy” she also said it was rough around the edges, showing signs of promise in areas but clunky footwork in closed hold and tension in other areas; Nigel agrees and actually used the words “herky-jerky”—Sir Lythgoe was not impressed; Christina thought the faces were a bit disingenuous and forced, and didn’t feel the chemistry as much from them…”dance from your souls, first….”

Jessica—Solo

This solo was basically a turnfest, but it was one of the most honest performances I’ve seen from her.  I’m guessing she actually saw that package with her family before she danced….

Musical interlude IN THE MIDDLE of the show…a-ha.  I have actually heard this song by Rixton before, but I wouldn’t be able to pick these children out of a lineup if they were wearing nametags.

Valerie (with All-Star Stephen “tWitch” Boss)
Hip-Hop—Will “Willdabeast” Adams

Newlywed couple’s first dance at the reception….a) does Allison know about this? and b) that is possibly the stuffiest wedding dress I have ever seen…this is not Green Gables, folks….

Thank GOD that skirt disappeared….Valerie still has some funk to her, and plenty enough to hang with tWitch.

Nigel enjoying the fun and entertainment brought to the piece—and rightly shouting out Nappytabs’s Emmy win this past weekend—and acknowledging the entertainer’s spirit in Valerie; Christina called Valerie amazing…and I’m not sure exactly where the Diet Coke came in with the crotch roll and side of rice in this hip-hop wedding joke, but I’ll let her have her “away from the kid” fun; Mary thought it was a wedding routine to remember and dubbed Valerie “swaggerocious.”

Casey—Solo

A little more quirk with the spins tonight, and lots of emotion.

Valerie—Solo

High octane like last week, but not quite as cohesive.  It was definitely fun, though.

Jacque (with All-Star Will Wingfield)
Jazz—Sean Cheesman

The innocence of young love….with a Pilates ball.  You choreographers and your crazy, abstract concepts…. “I wish I could say we had a ball, but….” Really, Jacque? *groan*

Awwww…..that was really sweet.  Jacque got to pull from her innate innocence and make this organic.  And without seeing that rehearsal footage, you’d think that ball sequence was a breeze for the two of them….awesome work.

Christina praised Sean first for the choreography and then Jacque for rising to the occasion and bringing forth character organically; Mary described Jacque with the words “class, grace, elegance and control,” and acknowledged the difficulty of working with the ball; Nigel called it brilliant and said it wiped that foxtrot from his memory.

Zack—Solo

First of all, he’s in black, dancing against a brightly colored backdrop, to a song called “Butterfly.”  Whycome them feet are moving like a hummingbird’s wings?  He is determined to leave a fabulous impression on the audience’s minds.

Jessica (with All-Star Ade Obayomi)
Jazz—Ray Leeper

The most fabulous couple in the Tokyo club…and I see they recycled Zack and Jacque’s getups from Top 20 Week 1…..

If those costumes weren’t so godawful ugly, I’d have enjoyed the dance MUCH more.  But I managed to tune them out aurally and visually to focus on the execution of the choreography—which was well in sync and quite sassy.   Jessica really held her own with Ade.  And while my knowledge of clubs is probably just as expansive as Jessica’s, I think the pair carried the vibe pretty well.

Christina makes a bad lost cat joke (no self-respecting cat would sacrifice itself for those UG-A-LEE boots) but loved Jessica’s performance and the ponytail strut; Mary thought it was fun and crazy and envisions Cat and Nigel doing that at the club (thanks Mary—it’s gonna take me the rest of the season to unsee THAT), and manages to praise Jessica for her razor-sharp focus; Nigel wasn’t thrilled—it was just OK and didn’t connect with him, and he also takes the moment to tell Jessica not to rely on turns and beef up her solos.  I’m not the biggest Jessica fan, but that there was unfair—I don’t recall him saying that to Casey last week….

Jacque—Solo

Well, if you’re gonna do an eye-catching, Final Four worthy solo, you might as well pull out a flowing skirt and WAC hat and do a pointe solo to “Boogie Woogie Bugle Boy”.  That was the nicest blend of classical and contemporary, reminding me of something the Joffrey might stage—much like the suite they did to Prince’s music.

Ricky (with All-Star Anya Garis)
Cha-Cha—Jean-Marc Genereux

Cha-Cha—Cuban in origin.  Ricky Ubeda—Cuban in origin.  He gets to go from cutesy to sexy in this piece, and if anybody can pull it out of him, it’s the original Hot Tamale.

Eh—lukewarm.  I can’t help but wish it was Rudy doing this one.  Still, Ricky’s technique looked really sharp….just needed way more sexy.

Nigel thought he looked like he’d been doing it for years, at least in stature and bravado; Christina bought it wholesale and said he actually drew her attention with Anya on the stage (is that SEN-sational or SIN-sational, Christina?); Mary thinks Ricky brought it, was solid on his feet and in his lead, and she totally bought it.

Casey (with All-Star Makenzie Dustman)
Contemporary—Stacey Tookey

Didn’t Makenzie already do the “little time to live” thing in her season?  We’ll see what Stacey’s take is on finding out you may have only one day left with the one you love…..though technical, Stacey hopes Casey focuses on the feeling and tells the story with his movement.

Y’all really didn’t need to put the boy in an asymmetrical mini-dress to get a nice fluid effect—his dancing was plenty.  I saw only glimpses of his expression but his movement, connection and flow were airtight.  That counterbalance move was wicked.

Christina took the Iyanla route and asked Casey how the dance made him feel—upon his not being able to describe it, she said that he’d done his job and it was wonderful; Mary really felt it and thought everything blended and smoldered and proclaimed it his best of the season; Nigel thought the piece made sense from beginning to end and dubbed it remarkable.

DAMMIT—NIGEL STOLE MY IDEA!  Or at least my prop, if someone has the unmitigated gall to challenge me….

Zack (with All-Star DuShant “Fik-Shun” Steagal)
Hip-Hop—Phillip “Pacman” Chbeeb

My boo Phillip’s choreographic debut, and he’s inspired by a Rorschach blot….well, the boy WAS studying engineering, so I’m not surprised where he can take his mind….

Fascinating bit of work….reminiscent of what he and IaMmE Crew did with their finale piece on America’s Best Dance Crew, and some of the armwork he did with Jeanine in “Mad”.  I love me some him….and them.  Though I did see some subtle differences in head movements in two different sections, I thought the boys shaped that well.

Even Cat’s impressed…..

Mary screams fabulous and loved every second of it; Nigel is impressed at tonight’s performance as well as every other dance and characterization Zack has been asked to perform over the season….then gives this backhanded wish for success and luck getting into the finale :-/ (he saved himself by amended that to being “shocked and thrilled” to see him in the finale….hmph….); Christina is proud of Zack’s ability to not only hang with Fik-Shun but to transcend any dance boxes he might have put himself into.

Now to the last elimination for the Big One:

Jessica (no surprise)
Ricky (also no surprise)
Valerie (HELL YEAH!)
Zach (F’IN RIGHT!)

Did I actually just channel Drake? Lord help me…..

Hard call if you look at tonight, but I tell you, Valerie and Zach have been proving their versatility since the ballroom round of callbacks.  I’m amazed with all of the bottom placements that Jacque got as far as she did, and there can only be one pretty boy, so poor Casey didn’t really stand that much of a chance.

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(Why does the final four lineup look like a scene out of Boogie Nights?  Some of the most unfortunate costumes to get good news in….)

Next week’s All-Stars: Kathryn (presumably for Ricky), Robert (apparently doing double duty with both Valerie and Jessica) and Aaron (with Zack, natch).  Plus, if the format holds, everybody dances duets with each other in addition to their solos….let’s make sure we don’t cut the Final Four group number this year…..

And as I really don’t remember seeing them, we should get a performance from Wanted Ashiqz before the grand finale….no mention of them but a performance from Jason Mraz?  Hmmm…..

Gonna be a packed show!

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SYTYCD 11, Top 8–Dancing Machine

We’re closing in on the end of Season 11!

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Images courtesy of 19 Entertainment and Dick Clark Productions

Tonight’s guest judge is Jenna Dewan-Tatum, star of the original Step Up movie and former background dancer to the likes of Pink, Missy Elliot and Janet Jackson. This is her second stint on the competition panel, and her second appearance this year (she sat in on the Atlanta auditions).

Top 8 group
Well if anybody was going to choreograph a group number for Michael Jackson night, might as well get the man’s own choreographer Travis Payne. Very futuristic looking and probably could have jumped out of the Cirque de Soleil Xscape show.

Tonight the kids get to do their solos in addition to the All-Star duets slated.

Tanisha kicks off the solos—she throws every possible skill known to man in, with the ballroom prowess seeming almost secondary. I really wish I liked her personal solos more…I can appreciate the skill and technique but Mary has ruined me for wanting more ballroom content from ballroom contestants.

(This week gives us words from the teachers, relatives and fellow performers that most inspired and influenced the kids in their development as dancers.)

Ricky (with All-Star Jaimie Goodwin)
Contemporary—Travis Wall

Whoa—Season 11’s Ricky has Season 6’s Victor Smalley (of Dance Moms: Miami fame as well) to thank for his early dance education; Victor gave the kid a scholarship. Nice redemption for Victor, because I maintain that he got hosed during his season.

Ricky is the positive light, the best friend that can always raise your spirits. Travis is pushing Ricky beyond his technical limits to try and help him put a lock on the win.

Dancing to Michael’s cover of Charlie Chaplin’s “Smile,” this routine’s Melanie/Marko “I Got You” in feeling layered on top of Robert/Allison “Fix You” in technique. And while it looks terribly simplistic, the lines and pictures the dancers produce are exquisite.

Jenna’s word of the night is “incredible”—from the technique to the partner connection and everything in between, she’s completely enamored with both this routine and with Ricky. Mary marvels at the effortlessness and high echelon of technical prowess that Ricky has continued to display week upon week. Nigel feels that Ricky has grown to the point of transcending his already incredible skill and technique and becoming the dance.

(I see they’re going to continue this “results as they go” BS….of course Ricky is safe….you expected less?)

AND as they’re announced safe, they’re immediately paired with their next All-Star…so Ricky will be doing some sort of ballroom routine with Anya “Hot Tamale Train” Garis

Zack gets to dance in his specialty tonight, and dude throws in enough slides and fast footwork–not to mention the attire–to be the tap reincarnation of Michael Jackson. Even Sandman Sims would have looked at that bit and said, “DAMN!”

Valerie (with All-Star Ryan Dilello)
Samba—Jean-Marc Genereux

Dance break with Jean-Marc first….oh, THAT’S how you spell “batucada!” Phonetics only take you so far in another language…..

(Valerie’s dance inspiration is Kathy Simpson, her teacher since she was 3 years old. Now if SHE had a show instead of Abby Lee, I’d watch that…she looks like she’s professional AND nice.)

Valerie “Wanna Be Starting Something” battling with Ryan, the Samba King.

She was working her fanny off to nail that technique and I give her props for that—AND she got a smidgen of sexy out in her performance demeanor. However, she still needed some more oomph in her execution. I’d love to just say that she did an admirable job as a non-ballroom dancer, but considering we’re at Top 8 and shooting for a Top 6 berth it’s too late for that…it’s go big or go home time, and I fear this may hasten the latter.

Mary said, in her delightful Mary fashion, that the samba was well done and Valerie attacked every move with the exception of some hesitation on the samba runs (which I saw as well as the area of most discomfort in her); Nigel calls Valerie vivacious and says this bit of brilliance cancels out any complaints he had about the previous week, although he did express worry that if she were to depart tonight that would be why…and it would be a shame on the heels of tonight’s success. Jenna tells Valerie that her dancing gives her joy but there was an added sexiness and attitude (that’s basically the translation for “face” people) in her performance.

(Valerie, amazingly, is safe this week. And apparently Mr. Boss really needed to get out of the house this summer because after tonight he belongs to Valerie. Having already proven she can “turn up,” this should be a thrilling pair.)

Casey leaps and spins and dives his way through his solo…..we know, we know—you’re a maestro with all of it. But hey, if it ain’t broke, don’t fix it.

Rudy’s up next with a variation of Casey’s magical spinfest layered on top of the beastly style he brought to the auditions, and you can see a lot of technical improvement in him. He’s a little too happy for that now (or maybe the flash of cutie-pie I saw was just a result of him quickly dropping character at the end of the solo….Jacque might me making you a little too mellow, boo….IJS)

Casey (with All-Star Comfort Fedoke)
Hip-Hop—Christopher Jennings and Krystal Meraz

(Miss Terri [Schulke] and Miss Mandy [Rogers], his two dance teachers who have trained him for the past 4 years, are Casey’s inspirations…and both ladies are deeply moved by the nomination.)

OK, if Academy of Villains doesn’t get that finale berth it doesn’t really matter because Pharside and Phoenix are solidly IN as choreographers. So in honor of MJ Week they’ve created a theatrical, over-the-top routine called “8 Legged Love.” Um….yeah. Good thing I already know they do some killer work because there isn’t a side eye strong enough to give them for THAT description. Black Widow meets Fatal Attraction, or Kiss of the Hip-Hop Spider Woman, if you will. Casey has to bring out strong characterization again this week….the last effort at hip-hop landed him in the bottom. Hopefully the costume’s better this go-around.

“Xscape,” the song that titles the Cirque de Soleil show, is the tune for this piece. Casey had moments of looking tortured and seduced—good things for this particular number—and he was really working to hit those shapes and positions. Plus I imagine jumping on and off of a spiderweb-shaped cargo net dangling had to be taxing as well. Not quite the Nico benchmark from last season’s Spider Woman interpretation, but a reasonably good effort. (On another note, wardrobe let Comfort borrow Tanisha’s catsuit and seriously vamped her up with the makeup—she’s come a long way from the thunderstruck girl in a bra and beads…..

Nigel acknowledges Casey’s further growth as a performer while advising him to get more into the style, however foreign to him. Jenna admires his stage presence and his ability to perform “in the moment” and in step with Comfort. Mary admired the strength and commitment, and also recognized the increased sharpness and precision as the number built.

(Casey is in the bottom of the votes this week—not unexpected with fan favorites Ricky and Rudy as his competition. Zack, who I fully expect to be down there with him, is the sleeper contestant of this pair and may edge him out for Top 6.)

Jacque’s up with her solo and it’s very light and effortless and danced with so much joy she’s practically levitating. Whether this will aid her chances of staying remains to be seen.

Tanisha (with All-Star Nick Lazarrini)
Contemporary—Stacey Tookey

(Kelly Messerly, Tanisha’s teacher and mentor, is her dance inspiration.)

Nick’s a crooner reliving the memory of the One That Got Away (embodied by Tanisha). So I probably should have expected “She’s Out Of My Life” to be the song of choice.

I know I’m supposed to focus on the contestants, but I really have to pause and acknowledge Nick’s growth as a dancer over the years. He was neither my choice nor my expectation for SYTYCD’s first champion and I’ve watched him dance before wondering how and why that was. I’m liking what I’m seeing now. *exhale* Now, back to the task at hand: Tanisha really should consider shifting to the cabaret division if she means to stay in the ballroom world—whatever Latin training she has is nowhere near as good as the contemporary skills she’s exhibited since she’s been on the show. Very nice work from her again this evening.

Jenna is astounding by her strength and the couple’s fluidity, and called for a bit more angst to her emotional expression to enhance the feeling of the number; Mary hailed Tanisha for keeping pace with Nick and is amazed by her consistency and quality of movement; Nigel is equally impressed by her physical strength but admonishes her to tap into and release more of her vulnerable side as a counterbalance.

(Tanisha is the first girl in the bottom two this week; considering Valerie skated through this week I imagined that would be a probability as Jessica’s fan base seems incredibly strong and loyal.)

Jessica takes the “massive tricks and levels to a Celine Dion power ballad” route in her solo tonight…way too much to visually process but again….these fans are lo-yalllllllll……..

Rudy (with All-Star Allison Holker)
Contemporary—Ray Leeper

(Kevin “Tokyo” Inouye—you KNOW I’m Googling to find out if he’s any relation to the late Hawaiian senator….dude’s honest, I gotta give it to him. Not many teachers would admit on national television that their student, despite their heart and passion, was just not good at it. Of course, not many would take them under their wing anyway and try to mold something out of them, either. I think I rather like you, sir…..) *side note: Google results inconclusive, particularly since there’s a professor and martial arts coach in the biz with the same name–hence, this Kevin going by “Tokyo.” If any of you readers find out, holla.)

A tale of obsession—Allison is focused on getting Rudy, but he’s taken and trying to push her away….despite the small part of him deep inside that kinda does want her. Unhealthy dysfunction at its best. Ray’s concerned about Rudy tapping into his vulnerability and letting go of some of the aggression inherent in his personal style.

I was thinking “Leave Me Alone,” but “Dirty Diana” makes much more logical sense considering the darkness of tone and the storyline itself (I don’t know HOW I forgot about that song). Rudy is fighting for his spot. I mean really, seriously, both dukes up, all guns blazing FIGHTING to get to the end—and the top—of this competition. He is determined to be standing under that confetti, and powerwise he could do it. I saw more tortured anger than vulnerability in him, but that may have been moments of “seeing him thinking.” I will say that for him to evenly match Allison Holker in a number so powerful is an impressive accomplishment, and that may just be the thing that America eats up with a spoon.

People are standing and hollering—more importantly, THESE people are standing and hollering: Ray, Mary, Nigel and Jenna. This bodes well….that and the fact that Rudy is doubled over, gasping for breath and doing that high-pitched Dino from The Flintstones babble-scream he does when he’s overexcited.

Mary is just as flushed as Rudy is, but manages to find words and breath to agree with me about the pair going in whole hog and matching each other toe to toe, dubbing them spectacular. Nigel’s only complaint was a brief lapse in character to focus on technique (during a pirouette section) that broke from the story, but otherwise commended Rudy for morphing into a completely different person. Jenna calls Rudy phenomenal and also commends him for rising to and matching Allison’s level.

(Rudy is in the bottom this week, saving Zack this time. If I know anything—and history is to be believed, Rudy’s larger than life personality will probably elevate him over Casey’s insane technique. We’ll see at the end of the show….)

Valerie taps her way out in her magic ruby slippers and has vastly improved with projecting energy from her upper body and face as her feet are going a mile a minute. She’s the better of the two tap solos this evening.

Zack (with All-Star Makenzie Dustman)
Broadway—Spencer Liff

(Mark Goodman, tap legend I’m not familiar with but I guess I’d better research….he’s danced with some legends himself: Gregory Hines, Sandman Sims, Savion Glover–very impressive.)

Naïve girl fresh off the train in the big city meets slick smooth talker Zach, who tries everything he can to tell this girl “The Way You Make Me Feel”….the boy looks like Howdy Doody meets Opie; I just can’t see him being a Lothario. Still, he and Rudy have a similar drive to prove themselves, so I know he’s gonna knock himself out trying.

Makenzie looks thick in that dress. Marilyn Monroe thick. Not a bad thing at all—in fact it transforms her character—but it just threw me off for a second to see her serving Ava Gardner realness and I know she’s barely hit adulthood yet. Zach looked more smitten than smarmy half the time but that character focus was razor sharp. He knew just when to switch his gaze from the audience to his potential conquest while executing all of his moves perfectly and in sync. The end was clunky, but that wasn’t the dancers’ fault: it was the music mix, adding an additional unnecessary beat to the end.

(Since Zack knows he’s safe, Cat reveals his partner….and just as I was saying that we were about due for a boy pairing, who does nuFik-Shun get but the original himself? I am extremely intrigued to see how that plays out.)

Nigel would have liked to see a little more groundedness from Zack, but was overall pleased….and is especially tickled like the rest of us about next week’s matchup. Jenna mused about the incredible amount of control and showmanship needed—and employed by Zack—to successfully pull off a Broadway routine; she thought he was believable and was completely sold by his performance. Mary also notes Zack’s growth, spirit and wholehearted embracing of everything he’s been given to date.

Ricky closes out the solos, and….hold up, pause. WTF was that, dude?!? You just did a nosebleed induced leap, landed on cotton and slid into one of the sickest, most tightly controlled straddles like you were made of melting butter….the old, fat creaky dancer in me hates you and is sobbing in the corner. And continues to do so after you laid in a straddle ON YOUR BACK and then just stepped up into a layout. Boy go sit down somewhere before I start throwing stuff at my TV……

How am I JUST noticing the Moonwalk logo on the backdrop and in the wipes tonight?

Jacque (with All-Star Stephen “tWitch” Boss)
Hip-Hop—Dave Scott

(Older cousin Christianne Jordan is Jacque’s inspiration….way to go, Pookie!)

Ionkno if ballerina Jacque is gonna let street Jacque out to play—she’d better do something to hang with the Boss since Jessica’s efforts were so well received last week….

“Slave To The Rhythm” is the song of choice, and we have some post-apocalyptic, Terminator futuristic type scenery happening here, and these two look like they survived the war and are hooking back up to kick it. Jacque got looser than I gave her credit for, though she looked like her biggest struggle was controlling her face. I think I saw one smiley moment before she masked it with the hardcore, serious badass look she was supposed to be serving. Both Melissa and Eliana proved that ballerinas can get down and dirty, and Jacque’s climbing into that class. Hopefully, it’s not too little, too late….

Jenna thought Jacque did extremely well and really got into the groove of the style; Mary also felt that Jacque conquered the groove and was impressed by her growth and synchronicity; Nigel was duly impressed by her embodiment of the style and thought she and tWitch complemented each other well, even daring to use the word “swag.”

(As expected, Jacque is the second girl in the bottom two. Not positive how the decision is going to shake down between her and Tanisha….)

Jessica (with All-Star Will Wingfield)
Contemporary—Mandy Moore

(Talia Favia, Jessica’s teacher, sounds a lot like my own—always picking and pushing. In love, of course….)

Earth and mankind….Jessica is being asked to be uncomfortable in this piece, portraying someone being callous and careless with the planet.

Jessica is really trying to embrace her artistry and incorporate it with her technical abilities—there are moments when she looks like she’s mimicking Will as a young dance pupil tries to mirror their teacher. That’s a good thing, as she matches him move for move, height for height, and all other nuances in between. The lighting was inspired, and told the story as much as the two dancers illuminated by it. Characterization is hard to read on her, so I can’t be sure if she embodied everything Mandy asked of her. But it was a very good performance from her.

Standing Os from the panel, so I’m expecting a good bit….

(Jessica’s All-Star is Ade…going from one big-league dancer to another. You gotta work, honey….)

Mary feels that the stars have aligned with the perfect music, choreography and dancers, and is pleased and proud of Jessica’s growth and passion displayed; Nigel ticks off a litany of favorites in all aspects of the piece—which include the stellar presence of William Wingfield (that man is a blessing to dance in general, and I will wax poetic about him whenever I can. Deal with it.)—and is moved by her magnificence; Jenna is also duly impressed with Jessica’s incredible growth and also throws around the words “favorite” and “magnificent.”

Three weeks from the finale, and we’re presented with the third of our crews up for an encore performance on that night. Tonight it’s Control Freakz turn….and it’s worth noting that the spoken word intro sounds a lot like the voice that introduced us to Will Wingfield in Los Angeles back in Season 4….just after he’s left the stage tonight. Serendipity, perhaps?

Damn…..what? I dare anyone to ever again set their lips to say that popping and hip-hop are any lesser forms of the art of dance. Every bit of that looked almost balletic—and that smoothness and grace is hard to accomplish coming out of a back flip. I am duly impressed. And I do have to say—though in this day and age I shouldn’t have to—how beautiful it is to see some many different looks and shades of my people given the opportunity to express their artistic selves on a national stage. It might be more commonplace in this day and age, but as a young girl with aspirations of dance those images were extremely scarce…and it makes my heart smile.

(I did have to actually spoil results to go vote, but I’m still going to give my assessment as if I hadn’t.) So it’s down to Rudy, Casey, Jacque and Tanisha. If I go by past opinions and votes, Jacque has been in the bottom the most out of the four, and I don’t recall ever seeing Rudy there (though I could be wrong). Young fans might be reluctant to break up the reported lovebirds, but have also repeatedly been reluctant to send Tanisha home, as well. I’d venture based on all of that, Jacque has run out of chances…and with Rudy being the less polished of the guys, he may be leaving with her.

Of course, America seldom behaves as I’d expect—while I don’t deny Tanisha has some great ability I thought she would have gone home long before now…and tonight she’s going out with her original partner. Rudy leaving just breaks my heart…and that was BEFORE he started crying. I really saw a Benji-esque victory as a possibility with that one, but apparently the contemporary seduction continues. Zack is the last odd man standing, and as I had hoped Aaron would be the first tapper to take the crown last year, I feel compelled to throw my remaining support behind him. The girls’ diversity is still intact, just minus a ballroom specialist. So of the jazz dancer, tapper and ballerina remaining, I feel like the larger push is going to go to Jessica. However, with Jacque’s miracle save and Valerie’s sleeper performances, anything could happen there. With us back to a single winner I dare not even venture who has the best shot at that right now….but it’s gonna be a rollercoaster ride.

(The survivors get their All-Star pairings: Casey gets Makenzie and Jacque gets Will. *moment of silent praise that I get blessed with him a second week in a row*)

5 Ways to Make Him Happy to Come Home | BlackandMarriedWithKids.com

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SYTYCD 11, Top 10–Counting (All) Stars

The Top 10 are in and rolling with the All-Stars for the first time this week–and the judges’ influence no longer applies. The decisions are all on America now.

Olympic gold medalist, figure skater and actress Tara Lipinski is on the performance show panel for the first time. I love Tara but I’m not overly sure about this; while I realize figure skaters do have to have some dance training to smooth out their routines and now a thing or two about intense competition, being able to critique dance technique is an entirely different scenario.

Image courtesy of  19 Entertainment and Dick Clark Productions

Image courtesy of 19 Entertainment and Dick Clark Productions

Top 10 group–Hip-Hop

Last Chance Saloon—good LORD that’s a loud number. And that’s just the costumes and scenery. The song of the night should have been “Sunglasses at Night.” At least that’s how I had to watch it to see the choreography. I’m surprised that I’m not more familiar with Jamal Sims–I certainly recognize a lot of his work outside of this first SYTYCD appearance.

Bridget (with All-Star Brandon Bryant)
Bollywood Disco(?!?)—Nakul Dev Mahajan

Good Lord! Two of the fastest, most intricate dance styles meshed into one? And poor Brandon might as well have just trained in disco because it seems like he’s the only All-Star that’s called back to do either of them.

This was fast and furious and Bridget was here for all of it—she had the sass Valerie needed a few weeks ago and then some. Brandon did a great job recovering from the underrotation of that aerial cartwheel…good thing he isn’t being judged.

Tara loved the performance—how interactive and rhythmic it was and thought it was a moving puzzle; Mary threw out the five Ss: strength, stamina, speed, skill and spirit…and of course she added a sixth S–SCREAM ; Nigel thought it was inspirational and that Bridget did well keeping up with the insanely fast and physical routine. Though I wish he’d left the corny jokes where he found them.

(And to announce right after that performance that she’s in the bottom of the votes SUCKS.)

Tanisha (with All-Star Ryan Dilello)
Argentine Tango—Miriam Larici and Leonardo Barrionuevo

Miriam and Leonardo take the fact that they have two stellar ballroom dancers and run with it, throwing in every complicated move and lift they can imagine.

WTH? As if that lingering star lift wasn’t enough, Ryan basically tossed Tanisha in the air, spun her around his neck and dropped her into a mermaid pose in 4.7 seconds….technically it was brilliant but the passion seems a bit forced and over the top for me. Tanisha by herself though was ON FIRE.

Mary’s excited—about both technique and stage presence; Nigel thinks she hasn’t put a foot wrong since she’s been on the show; Tara was impressed by the smoldering sexiness of the solo opening. (Tanisha’s safe going in.)

Emilio (with All-Star Jasmine Harper)
Hip-Hop—Napoleon and Tabitha Dumo

Cue the Degree dancer montage….. *eye roll* Guess they had to put it somewhere….

It’s a Nappytabs sighting! King Emilio and his pet snake who’s trying to take over the throne. Ooooookay…..

Choreography was dope, and the right dancer got it. I’m thinking Jasmine would have been better suited in that silver snakeskin number she wore with Aaron last season, but she is definitely exuding some serious sexy here…and once again proving that she can hang with hip-hop.

Nigel praises Emilio’s improvement; Tara’s mind is blown; Mary thought it was sensational.
(Emilio is the first in the bottom for the guys…have I mentioned how much this BLOWS?)

Valerie (with All-Star Ade Obayomi)
Jazz—Tyce Diorio

Tyce Diorio is challenging Valerie to go into her meaner, more aggressive side.

It’s difficult to believe that Valerie is a tap specialist when she pulls out these amazing performances in contemporary and contemporary-looking dance styles. Although I think choreographically, Ade did most of the heavy lifting (both figurative and literal), Valerie did come across well and complemented his movement. On a side note, that boy is getting thicker and I’m not sure how I feel about it…maybe it’s because the shirt is ON….

Tara called it interesting—didn’t see the connection with the character’s anger throughout the piece but thought her physicality in the lifts was very strong; Mary agrees to a point but thinks she’s progressed another step in her development; Nigel rounds it out, loving the works but thought Valerie came across as tight and self-conscious. (Valerie is safe.)

Rudy (with All-Star Jenna Johnson)
Cha-Cha—Louis van Amstel

Louis van Amstel has them “dancing out their attraction to each other.”

And Rudy is doing quite well at pulling that off. I know from the first performance videos he’s got at least a little bit of ballroom training in him, but with the skills he’s displaying coupled with his magnetic stage presence, you’d think it would have been him instead of his buddy Nick that would have auditioned under the ballroom genre. I saw what looked like a mishap on that last move and end pose, but if it was, he made it look intentional. He and Jenna were evenly matched in this routine.
Mary thought they were hot, and that Rudy was full of chemistry and power….so naturally Rudy gets a ticket on the train; Nigel apologizes to Rudy for thinking his being full of life was him being full of himself, though he did caution Rudy not to go over the top with the winks and asides since his personality was plenty; Tara thought that Jenna set the bar high, and Rudy matched it brilliantly. (Rudy is safe.)

Images courtesy of 19 Entertainment and Dick Clark Productions

Images courtesy of 19 Entertainment and Dick Clark Productions

Jacque (with All-Star Chehon Wespi-Tchopp)
Contemporary Ballet—Travis Wall

Of all of the choreographers I would have figured to be on tap for this—Dwight Rhoden, Desmond Richardson, etc.—I would not have even put Travis Wall on my radar. I know he’s a contemporary dance genius, but I have no knowledge of his expertise with ballet. Still, his expansive creativity gives him credence in my book. Another piece that’s all about the connection between the dancers rather than portraying a story.

Choreography was executed perfectly—the worst part about the number is that it ended. There was simply not enough dance there…it could have gone on much longer despite the fact that there were more contestants to perform and it’s only a two-hour show. (And I have to watch it several times before I could apply my television professional eye to that Steadicam one-shot–that really was an excellent choice to showcase this particular piece.)

Nigel was wowed and thought Jacque elevated her technique and performance energy elevated to a higher level; Tara thought it was flawless overall; Mary agrees and called the performance—as well as Jacque—exquisite.

(Jacque is the other girl in the bottom….had I watched before I spoiled the results to go vote, the writing would have already been on the wall here.)

Ricky (with All-Star Lauren Frodeman)
Jazz—Mandy Moore

Mandy Moore does a nod toward rockabilly and wants the dance to have a fun party feel in spite of all of the difficulty and complexity she’s throwing into it.

Mandy Moore is psycho. Who throws that much into one dance? I have to say that Lauren really nailed down why she won—the first person this season to pull focus from Ricky. That’s not an easy thing to do, either. I will say he held his own with the choreography and did a good balancing act of letting loose and hitting his forms and marks with precision. And those last eight counts of Kama Sutra-esque, Twister-like leg wrapping was mind-blowing….

Nigel praised Ricky (as expected) for raising his dance level and for taking some complicated choreography and making it look simple; Tara was enjoying the number so much she was dancing in her seat; Mary buys the third ticket on the Love Train and says that there’s nothing he can’t do. (Ricky is safe—and I’m typing this before they even open the envelope.)

Casey (with All-Star Kathryn McCormick)
Broadway—Spencer Liff

Spencer Liff and the “he loves me, he loves me not” game. Casey’s acting skills are called upon this week, which seems to be a challenge to layer those on top of the impeccable technique.

He does OK emoting his movements but he’s right on the line of “over the top.” Not going to bother re-typing the same stuff I’ve been saying for weeks about his technique…y’all already know….

Mary thinks Casey is quickly becoming a star and thought he dug into the character work very well; Nigel thought the style really suits Casey coupled with his technique and amplified by the breakout performance with Jessica last week…and even ventures to class him as not only a contender but a threat in relation to Saint Ricky; Tara was equally enamored and thought his performance was wholly believable. (Casey is safe…which automatically puts Zach in the bottom with Emilio.)

Jessica (with All-Star Stephen “tWitch” Boss)
Hip-Hop—Napoleon and Tabitha Dumo

Another Nappytabs joint tonight…in this one Jessica’s a pin-up girl passing by this “old cat” at the bus stop (when one of the dancers you pretty much watched grow up in his career is not only referred to as an “old cat” but says himself that he’s “dancing like he’s 20 again,” it’s time to re-evaluate how close you are to that AARP notice in the mail). Jessica is beyond thrilled to have the triple dream trifecta of a Nappytabs duet with tWitch on SYTYCD just dropped in her lap. Let’s see if she really can hang….

I’m sorry….I’m supposed to be judging Jessica but all I can see is this pot belly and gray hair on tWitch and I can’t help but hear the words “Lemme holla at cha” looped in my head. Too damn funny. However, for the speed, precision and synchronization required for this number Jessica did very well. I’m a little unsure about her characterization, but some of her over the top was necessary in her case.

Tara called it unreal and thought Jessica exceeded every expectation; Mary said it was off the charts and memorable; Nigel notes that Jessica has again lived up to her potential…and that she’s classed as a jazz dancer, which I honestly didn’t remember. I had her in contemporary with the rest of the viewing public. (Since Jessica went in safe, she was more at ease with her performance.)

Zach (with All-Star Amy Yakima)
Contemporary—Sonya Tayeh

Sonya Tayeh offers an emotional tribute to a friend who’s passed all too soon. (Side note: I started typing my notes after hearing of Robin Williams’s untimely passing, so there’s a different tinge to my view than if I’d done this the night of like I usually do.)
Honestly, Zack is this season’s Fik-Shun. He’s more trained, but as his area of specialty is in something that one would not expect him to be able to branch out from, he’s been quite impressive week after week in styles not his own. Not to mention this is the second time he’s wowed Sonya. I’m ready to see what Fik-Shun’s partner will bring out of him.

Y’all can sleep on Zack if y’all want to—that boy is more well-rounded than we think. I believed him way back to that Keone and Mari hip-hop, and this is a WAY deeper level of emotion. Not to mention the exquisite and impressive form and technique—you really can’t just look at him and see the word “TAP” in flashing neon letters. Bravo, sweetie.

OK, with both Sonya and Amy near tears and the entire audience and panel on their feet, this critique session is gonna be stellar….Nigel is momentarily speechless, and in the midst of genuflecting at Sonya Tayeh’s well-deserving feet (and stunning everyone with the announcement of her new—and equally well deserved—assignment with the Martha Graham company), hailed Zack as stunning. Tara thought that Amy’s pronouncement of a “wow” moment was an understatement and is equally speechless, and Mary proclaimed it a masterpiece through tears and a lump in her throat.

(I am saddened that the choice came down to Emilio and Zack….no matter how this came down or when I saw it, I was destined to hate America for this. However, it just goes to further prove what I said about the high bar the guys have set this year.)

Christina Perri’s career was made on this show when Stacey Tookey heard her not even released yet song “Jar of Hearts”, choreographed a routine to it and put it on display for the SYTYCD audience. Christina returns to the stage that helped make her with an assist from Kathryn and Chehon. What a lovely trio.

By now I already know that Bridget and my beloved Emilio are leaving tonight, and while I realize it’s a difficult decision between the four in the bottom I am no less angry at America’s decision…almost to the point of not even wanting to finish out the season as a viewer and reviewer. All four of these dancers have given the performances of their lives on this evening’s stage, and sadly it’s of no consequence at this stage. Not even the comfort of them being solidly committed for the Tour is enough to pacify me. Te quiero mucho indeed, papi….

Anywho, I shall regroup and realign my allegiances….and continue to watch my creative lifeline. After all, it’s just too much talent to just ignore.

On tap for next week are the following All-Star pairings (I kind of like the heads-up, as it’s a different kind of anticipation to see where the kids take things):

Tanisha gets Season 1 champion Nick Lazzarini
Ryan Dilello’s back next week, and coming for Valerie this time
Mrs. Boss hits the stage next week—Allison Holker dances with Rudy
And of course, Mr. Boss tags along for a repeat….and the irony of tWitch pairing with Jacque is not lost on me
Jaimie Goodwin makes an appearance as an All-Star, and Ricky looks like his bucket list just got completed with one check
Casey earns this week’s head-tilting pairing, as he’s slated to dance with Comfort Fedoke
Jessica gets blessed by the heavenly presence that is Will Wingfield….I’m excited for her and pray she lives up to him (yeah, I’m biased dammit)
And last, but not least, another underrated dancer gets her due—last season’s Makenzie Dustman is coming back for Zack. I smell another emotional breakthrough coming.

AND it’s Michael Jackson week….Y’all just knew I couldn’t quit you, didn’t ya?

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(OK…the fact that both Bridget and Emilio just came barreling from the sidelines toward their friends with huge smiles and big hugs takes again some of my bitterness….what champs these kids are. Long live Bridgilio!)

Long Live Bridgilio!

Long Live Bridgilio!

10 Signs You’re With The Person You Should Marry

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